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Video Glossary

Getting started with Encoding.com is easy as we have different integration methods ranging on your technical expertise. The first thing you will need to verify is that we support your source video format and codec. We support over 97% of the source video content however you can verify that we support your specific video content by using our search tool. The second decision to make is how you want to send the videos to encoding.com. If you want to quickly and easily test a video from your hard drive you can use the client interface's ADD MEDIA section. If you want to batch encode a large library you can use the watch folder. If you are more comfortable with a desktop encoding experience you can use the Encoding.com Desktop application. If you want to build encoding.com into your application, website, or media workflow you can use the Encoding.com API.

How can I encrypt my iPhone streams?

Securing your iPhone streams is easy with Encoding.com's stream encrytion option. We encrypt your TS segements using AES-128 with no need for an additional processing step. The encryption passes on delivery, as opposed to requiring additional processing time. You'll need a few things to get started, so let's lay out all the details:

1)  Create 32 character hexadecimal string.

 More -->

Securing your iPhone streams is easy with Encoding.com's stream encrytion option. We encrypt your TS segements using AES-128 with no need for an additional processing step. The encryption passes on delivery, as opposed to requiring additional processing time. You'll need a few things to get started, so let's lay out all the details:

1)  Create 32 character hexadecimal string. (Noted as 128 bit key below.)

     Sample encryption key: 243F6A8885A308D313198A2E03707344. Don't confuse this with API keys, as the encryption key can only contain characters A - F & 0- 9.

     Sample of encryption key that will fail immediately: COq8MA6wT3aHxEIvGy4U3VNBa3BMch29

OR

     Create a file that contains the hex string. If you choose a file, this will overrride the hex key specified in the request.

3) Request an HLS encode with the following additions:

<format>
    <!-- Format fields -->
        <output>[iphone_stream|ipad_stream]</output>
        ...
        <encryption>[yes|no]</encryption>
        <encryption_key>[128bit-key]</encryption_key>
        <encryption_key_file>[SourceURL]</encryption_key_file> <----Use a key_file or a string value. Don't use both, as the file will override the key. 
        ...
    </format>

 

###

Full XML:

<?xml version="1.0"?>
<query>
  <action>AddMedia</action>
  <userid>[userid]</userid>
  <userkey>[userkey]</userkey> 
  <source>[source]</source>
  <notify/>
   <format>
   <output>iphone_stream</output>
  <size>480x320</size>
   <bitrate>512k</bitrate>
<destination>[URL]</destination>
   <audio_bitrate>40k</audio_bitrate>
   <audio_sample_rate>44100</audio_sample_rate>
   <audio_channels_number>2</audio_channels_number>
   <keep_aspect_ratio>yes</keep_aspect_ratio>
   <video_codec>libx264</video_codec>
   <profile>iphone_stream</profile>
   <audio_codec>libfaac</audio_codec>
   <two_pass>no</two_pass>
   <turbo>no</turbo>
   <cbr>no</cbr>
   <deinterlacing>yes</deinterlacing>
   <keyframe>300</keyframe>
   <audio_volume>100</audio_volume>
   <rotate>0</rotate>
   <file_extension>tar</file_extension>
   <hint>no</hint>
   <bitrates>600k,400k,200k,110k</bitrates>
   <framerates>29.97,29.97,15,10</framerates>
   <keyframes>90,90,45,30</keyframes>
   <pack_files>no</pack_files>
   <segment_duration>10</segment_duration>
   <add_audio_only>no</add_audio_only>
   <still_image>no</still_image>
   <still_image_time>5</still_image_time>
   <still_image_size>480x320</still_image_size>
   <encryption>yes</encryption>
   <encryption_key>[128bit-key]</encryption_key>
   <encryption_key_file>[URL]</encryption_key_file>
   </format>
</query>

For additional information on encryption of iPhone streams: https://developer.apple.com/library/ios/#qa/qa1661/_index.html

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How do I use JW Player with the default HTML5 mode selected?

The JW players is a versitile tool for allowing your encodes to play the optimal version of your video in the correct browser. The JW player team put out a great article summarizing how to embed HTML5 as default with a flash fallback.

http://www.longtailvideo.com/support/jw-player/jw-player-for-flash-v5/16000/embedding-with-default-html5-mode-selected

The JW players is a versitile tool for allowing your encodes to play the optimal version of your video in the correct browser. The JW player team put out a great article summarizing how to embed HTML5 as default with a flash fallback.

http://www.longtailvideo.com/support/jw-player/jw-player-for-flash-v5/16000/embedding-with-default-html5-mode-selected

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Can I rotate videos without encoding the audio and video?

Have a ton of videos that just require lossless rotation? Did someone have too much fun with the iPhone and shoot everything portrait instead of landscape?

Try this on for size. Lossless rotation for use with .mov --> .mov files only.

<format>
  <output>mov</output>
  <destination>[Destination]</destination>
  <rotate>0</rotate>
  <set_rotate>90</set_rotate>
  <video_codec>copy</video_codec>
  <audio_codec>copy</audio_codec>
</format>

Have a ton of videos that just require lossless rotation? Did someone have too much fun with the iPhone and shoot everything portrait instead of landscape?

Try this on for size. Lossless rotation for use with .mov --> .mov files only.

<format>
  <output>mov</output>
  <destination>[Destination]</destination>
  <rotate>0</rotate>
  <set_rotate>90</set_rotate>
  <video_codec>copy</video_codec>
  <audio_codec>copy</audio_codec>
</format>
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Why are my Vp6 Flix Engine dimensions off from what I requested?

The encoder that we choose for this particular encode will automagically change the dimension on your requested encode to the nearest multiple of 16 for both width and height. This is to give you the best possible results for viewing these particular flash files. 

The encoder that we choose for this particular encode will automagically change the dimension on your requested encode to the nearest multiple of 16 for both width and height. This is to give you the best possible results for viewing these particular flash files. 

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Do you have any presets for Roku that I can use in watchfolders?

Yes! You can select the following choices in our watch folders to create files specifically targeted for playback via Roku. 

Click on any of the links below to expose the templates that we use for each preset:

roku_800
roku_1200
roku_1800
roku_2700
roku_hls

 More -->

Yes! You can select the following choices in our watch folders to create files specifically targeted for playback via Roku. 

Click on any of the links below to expose the templates that we use for each preset:

roku_800
roku_1200
roku_1800
roku_2700
roku_hls

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Roku 2700k Template

Roku 2700k Template

<format>
  <output>mp4</output>
  <destination>
  <size>1280x720</size>
  <bitrate>2700k</bitrate>
  <audio_bitrate>192k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>high</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>

Roku 2700k Template

<format>
  <output>mp4</output>
  <destination>
  <size>1280x720</size>
  <bitrate>2700k</bitrate>
  <audio_bitrate>192k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>high</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>
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Roku 1800k Template

Roku 1800k Template

<format>
  <output>mp4</output>
  <destination>
  <size>1280x720</size>
  <bitrate>1800k</bitrate>
  <audio_bitrate>128k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>high</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>

Roku 1800k Template

<format>
  <output>mp4</output>
  <destination>
  <size>1280x720</size>
  <bitrate>1800k</bitrate>
  <audio_bitrate>128k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>high</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>
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Roku 1200k Template

Roku 1200k Template

<format>
  <output>mp4</output>
  <destination>
  <size>640x480</size>
  <bitrate>1200k</bitrate>
  <audio_bitrate>192k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>main</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>

Roku 1200k Template

<format>
  <output>mp4</output>
  <destination>
  <size>640x480</size>
  <bitrate>1200k</bitrate>
  <audio_bitrate>192k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>main</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>
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Roku 800k Template

Standard Template for 800k

<format>
  <output>mp4</output>
  <destination>
  <size>640x480</size>
  <bitrate>800k</bitrate>
  <audio_bitrate>128k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>main</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>

Standard Template for 800k

<format>
  <output>mp4</output>
  <destination>
  <size>640x480</size>
  <bitrate>800k</bitrate>
  <audio_bitrate>128k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <profile>main</profile>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>200</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>0</rotate>
  <file_extension>mp4</file_extension>
  <hint>no</hint>
</format>
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DRM (Digital Rights Management)

Digital rights management (DRM) is a term for access control technologies that are used by hardware manufacturers, publishers, copyright holders and individuals to limit the use of digital content and devices. The term is used to describe any technology that inhibits the use of digital content that is not desired or intended by the content provider. The term does not

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Digital rights management (DRM) is a term for access control technologies that are used by hardware manufacturers, publishers, copyright holders and individuals to limit the use of digital content and devices. The term is used to describe any technology that inhibits the use of digital content that is not desired or intended by the content provider. The term does not generally refer to other forms of copy protection, which can be circumvented without modifying the file or device, such as serial numbers or keyfiles.

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Buffer

A buffer contains data that is stored for a short amount of time, typically in the computer's memory (RAM). The purpose of a buffer is to hold data right before it is used. For example, when you download an audio or video file from the Internet, it may load the first 20% of it into a buffer and then begin

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A buffer contains data that is stored for a short amount of time, typically in the computer's memory (RAM). The purpose of a buffer is to hold data right before it is used. For example, when you download an audio or video file from the Internet, it may load the first 20% of it into a buffer and then begin to play. While the clip plays back, the computer continually downloads the rest of the clip and stores it in the buffer. Because the clip is being played from the buffer, not directly from the Internet, there is less of a chance that the audio or video will stall or skip when there is network congestion.

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Content Management System (CMS)

A content management system (CMS) is a database used to manage workflow in a collaborative environment.

A content management system (CMS) is a database used to manage workflow in a collaborative environment.

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Content Delivery Network (CDN)

A content delivery network or content distribution network (CDN) is a system of computers containing copies of data placed at various nodes of a network.

A content delivery network or content distribution network (CDN) is a system of computers containing copies of data placed at various nodes of a network.

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SDK

SDK is an acronym for Software Developers Kit. This refers to a set of development tools that allows for the creation of applications for a certain software package, software framework, hardware platform, computer system, video game console, operating system, or similar platform.

SDK is an acronym for Software Developers Kit. This refers to a set of development tools that allows for the creation of applications for a certain software package, software framework, hardware platform, computer system, video game console, operating system, or similar platform.

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Open Captions

Open captions provide the same functionality as closed captions, except they are permanently enabled; open captions cannot be turned off by the user.

Please see the closed captions article here for more information.

Open captions provide the same functionality as closed captions, except they are permanently enabled; open captions cannot be turned off by the user.

Please see the closed captions article here for more information.

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Closed Captions

Closed captioning is the process of displaying text on a television, video screen or other visual display to provide additional or interpretive information to individuals who wish to access it. Closed captions typically show a transcription of the audio portion of a program as it occurs, either verbatim or in edited form.  Occasionally closed captioning will including non-speech elements. A

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Closed captioning is the process of displaying text on a television, video screen or other visual display to provide additional or interpretive information to individuals who wish to access it. Closed captions typically show a transcription of the audio portion of a program as it occurs, either verbatim or in edited form.  Occasionally closed captioning will including non-speech elements. A device or application is required to interpret and decode the embedded closed captions in order to display them on-screen and toggle on/off.

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Byte

The byte  is a unit of digital information in computing and telecommunications that most commonly consists of eight bits.

The byte  is a unit of digital information in computing and telecommunications that most commonly consists of eight bits.

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Bit

A bit (a contraction of binary digit) is the basic unit of information in computing and telecommunications. 

A bit (a contraction of binary digit) is the basic unit of information in computing and telecommunications. 

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Bandwidth

Bandwidth is the amount of information that can be sent via a connection. Generally, this is measured in bits per second.  This is also referred to as throughput. At Encoding.com, we charge via the amount of information transmitted to and from the Encoding.com platform. Think of it as GB in + GB out = charges applied, based on what monthly

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Bandwidth is the amount of information that can be sent via a connection. Generally, this is measured in bits per second.  This is also referred to as throughput. At Encoding.com, we charge via the amount of information transmitted to and from the Encoding.com platform. Think of it as GB in + GB out = charges applied, based on what monthly or pre-paid plan you subscribe to with us.

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Wowza Template

Standard Wowza Template

<format>
    <output>wowza</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>48000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>24</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
  </format>

Standard Wowza Template

<format>
    <output>wowza</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>48000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>24</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
  </format>
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Wowza MBR Template

Standard Wowza MBR Template

<format>
    <output>wowza_multibitrate</output>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>48000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>24</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
    <bitrates>270k,570k,1000k,1200k,1400k</bitrates>
    <sizes>320x180,420x270,720x406,1024x576,1080x608</sizes>
  </format>

Standard Wowza MBR Template

<format>
    <output>wowza_multibitrate</output>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>48000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>24</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
    <bitrates>270k,570k,1000k,1200k,1400k</bitrates>
    <sizes>320x180,420x270,720x406,1024x576,1080x608</sizes>
  </format>
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Roku HLS Template

Roku HLS (HTTP Live Streaming) Template

 <format>
 <output>ipad_stream</output>
 <destination>
 <size>0x480</size>
 <bitrate>1024k</bitrate>
 <audio_bitrate>96k</audio_bitrate>
 <audio_sample_rate>44100</audio_sample_rate>
 <audio_channels_number>2</audio_channels_number>
 <keep_aspect_ratio>yes</keep_aspect_ratio>
 <video_codec>libx264</video_codec>
 <VCodecParameters>yes</VCodecParameters>
 <video_codec_parameters>
 <coder>1</coder>
 <flags>+loop</flags>
 <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
 <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
 <me_method>umh</me_method>
 <subq>8</subq>
 <me_range>16</me_range>
 <bf>4</bf>
 <keyint_min>25</keyint_min>
 <sc_threshold>40</sc_threshold>
 <i_qfactor>0.71</i_qfactor>
 <b_strategy>2</b_strategy>
 <qcomp>0.6</qcomp>
 <qmin>10</qmin>
 <qmax>51</qmax>
 <qdiff>4</qdiff>
 <b_qfactor/>
 <directpred>3</directpred>
 <trellis>1</trellis>
 <level>30</level>
 <refs>4</refs>
 <wpredp>0</wpredp>
 </video_codec_parameters>
 <profile>main</profile>
 <audio_codec>libfaac</audio_codec>
 <two_pass>no</two_pass>
 <turbo>yes</turbo>
 <twin_turbo>no</twin_turbo>
 <cbr>no</cbr>
 <deinterlacing>no</deinterlacing>
 <keyframe>300</keyframe>
 <audio_volume>100</audio_volume>
 <rotate>def</rotate>
 <file_extension>tar</file_extension>
 <hint>no</hint>
 <bitrates>1200k,800k,600k,400k,200k,110k</bitrates>
 <framerates>29.97,29.97,29.97,29.97,15,10</framerates>
 <keyframes>90,90,90,90,45,30</keyframes>
 <pack_files>no</pack_files>
 <segment_duration>10</segment_duration>
 <add_audio_only>no</add_audio_only>
 
 More -->

Roku HLS (HTTP Live Streaming) Template

<format>
  <output>ipad_stream</output>
  <destination>
  <size>0x480</size>
  <bitrate>1024k</bitrate>
  <audio_bitrate>96k</audio_bitrate>
  <audio_sample_rate>44100</audio_sample_rate>
  <audio_channels_number>2</audio_channels_number>
  <keep_aspect_ratio>yes</keep_aspect_ratio>
  <video_codec>libx264</video_codec>
  <VCodecParameters>yes</VCodecParameters>
           <video_codec_parameters>
           <coder>1</coder>
           <flags>+loop</flags>
           <flags2>+wpred+mixed_refs+dct8x8+fastpskip</flags2>
           <partitions>+parti8x8+parti4x4+partp8x8+partb8x8</partitions>
           <me_method>umh</me_method>
           <subq>8</subq>
           <me_range>16</me_range>
           <bf>4</bf>
           <keyint_min>25</keyint_min>
           <sc_threshold>40</sc_threshold>
           <i_qfactor>0.71</i_qfactor>
           <b_strategy>2</b_strategy>
           <qcomp>0.6</qcomp>
           <qmin>10</qmin>
           <qmax>51</qmax>
           <qdiff>4</qdiff>
           <b_qfactor/>
           <directpred>3</directpred>
           <trellis>1</trellis>
           <level>30</level>
           <refs>4</refs>
           <wpredp>0</wpredp>
  </video_codec_parameters>
  <profile>main</profile>
  <audio_codec>libfaac</audio_codec>
  <two_pass>no</two_pass>
  <turbo>yes</turbo>
  <twin_turbo>no</twin_turbo>
  <cbr>no</cbr>
  <deinterlacing>no</deinterlacing>
  <keyframe>300</keyframe>
  <audio_volume>100</audio_volume>
  <rotate>def</rotate>
  <file_extension>tar</file_extension>
  <hint>no</hint>
  <bitrates>1200k,800k,600k,400k,200k,110k</bitrates>
  <framerates>29.97,29.97,29.97,29.97,15,10</framerates>
  <keyframes>90,90,90,90,45,30</keyframes>
  <pack_files>no</pack_files>
  <segment_duration>10</segment_duration>
  <add_audio_only>no</add_audio_only>
  <still_image></still_image>
  <still_image_time></still_image_time>
</format>
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Blackberry Templates

Standard Templates for Blackberry devices. 

Old phones

 <format>
 <output>3gp</output>
 <size>176x144</size>
 <bitrate>384k</bitrate>
 <audio_bitrate>12.2k</audio_bitrate>
 <audio_sample_rate>8000</audio_sample_rate>
 <audio_channels_number>1</audio_channels_number>
 <framerate>15</framerate>
 <keep_aspect_ratio>yes</keep_aspect_ratio>
 <video_codec>h263</video_codec>
 <profile>baseline</profile>
 <VCodecParameters>no</VCodecParameters>
 <audio_codec>libamr_nb</audio_codec>
 <two_pass>no</two_pass>
 <turbo>no</turbo>
 <twin_turbo>no</twin_turbo>
 <cbr>no</cbr>
 <deinterlacing>no</deinterlacing>
 <keyframe>90</keyframe>
 <audio_volume>100</audio_volume>
 <file_extension>3gp</file_extension>
</format> 

New Phones

 <format>
 <output>mp4</output>
 <size>240x180</size>
 <bitrate>240k</bitrate>
 <audio_bitrate>40k</audio_bitrate>
 <audio_sample_rate>22050</audio_sample_rate>
 <audio_channels_number>1</audio_channels_number>
 <framerate>15</framerate>
 <keep_aspect_ratio>yes</keep_aspect_ratio>
 <video_codec>mpeg4</video_codec>
 <profile>main</profile>
 <VCodecParameters>no</VCodecParameters>
 <audio_codec>libmp3lame</audio_codec>
 <two_pass>yes</two_pass>
 <turbo>no</turbo>
 <twin_turbo>no</twin_turbo>
 <cbr>no</cbr>
 <deinterlacing>no</deinterlacing>
 <keyframe>90</keyframe>
 <audio_volume>100</audio_volume>
 <file_extension>mp4</file_extension>
 <hint>no</hint>
</format> 
 <format>
 <output>mp4</output>
 <size>240x180</size>
 
 More -->

Standard Templates for Blackberry devices. 

Old phones

<format>
   <output>3gp</output>
   <size>176x144</size>
   <bitrate>384k</bitrate>
   <audio_bitrate>12.2k</audio_bitrate>
   <audio_sample_rate>8000</audio_sample_rate>
   <audio_channels_number>1</audio_channels_number>
   <framerate>15</framerate>
   <keep_aspect_ratio>yes</keep_aspect_ratio>
   <video_codec>h263</video_codec>
   <profile>baseline</profile>
   <VCodecParameters>no</VCodecParameters>
   <audio_codec>libamr_nb</audio_codec>
   <two_pass>no</two_pass>
   <turbo>no</turbo>
   <twin_turbo>no</twin_turbo>
   <cbr>no</cbr>
   <deinterlacing>no</deinterlacing>
   <keyframe>90</keyframe>
   <audio_volume>100</audio_volume>
   <file_extension>3gp</file_extension>
</format>

New Phones

<format>
   <output>mp4</output>
   <size>240x180</size>
   <bitrate>240k</bitrate>
   <audio_bitrate>40k</audio_bitrate>
   <audio_sample_rate>22050</audio_sample_rate>
   <audio_channels_number>1</audio_channels_number>
   <framerate>15</framerate>
   <keep_aspect_ratio>yes</keep_aspect_ratio>
   <video_codec>mpeg4</video_codec>
   <profile>main</profile>
   <VCodecParameters>no</VCodecParameters>
   <audio_codec>libmp3lame</audio_codec>
   <two_pass>yes</two_pass>
   <turbo>no</turbo>
   <twin_turbo>no</twin_turbo>
   <cbr>no</cbr>
   <deinterlacing>no</deinterlacing>
   <keyframe>90</keyframe>
   <audio_volume>100</audio_volume>
   <file_extension>mp4</file_extension>
   <hint>no</hint>
</format>
<format>
   <output>mp4</output>
   <size>240x180</size>
   <bitrate>300k</bitrate>
   <audio_bitrate>64k</audio_bitrate>
   <audio_sample_rate>22050</audio_sample_rate>
   <audio_channels_number>1</audio_channels_number>
   <framerate>25</framerate>
   <keep_aspect_ratio>yes</keep_aspect_ratio>
   <video_codec>libx264</video_codec>
   <profile>baseline</profile>
   <VCodecParameters>no</VCodecParameters>
   <audio_codec>libfaac</audio_codec>
   <two_pass>yes</two_pass>
   <turbo>no</turbo>
   <twin_turbo>no</twin_turbo>
   <cbr>no</cbr>
   <deinterlacing>no</deinterlacing>
   <keyframe>150</keyframe>
   <audio_volume>100</audio_volume>
   <file_extension>mp4</file_extension>
   <hint>no</hint>
</format>
</query>
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Zune Template

Standard Zune Template

<format>
    <output>zune</output>
    <size>320x180</size>
    <bitrate>512k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>wmv2</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>wmav2</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>wmv</file_extension>
  </format>

Standard Zune Template

<format>
    <output>zune</output>
    <size>320x180</size>
    <bitrate>512k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>wmv2</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>wmav2</audio_codec>
    <two_pass>no</two_pass>
    <turbo>no</turbo>
    <twin_turbo>no</twin_turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>wmv</file_extension>
  </format>
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How can I prepare my 3GP files for hinting?

So you're hunting for the field in the web UI or our API as to designate hinting on 3GP files? Easy answer, our encoders prep all 3GP files for streaming, no need to do anything else to your settings files.

So you're hunting for the field in the web UI or our API as to designate hinting on 3GP files? Easy answer, our encoders prep all 3GP files for streaming, no need to do anything else to your settings files.

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WebM VP8 codec

WebM is an audio-video format designed to provide a royalty-free, open video compression format for use with HTML5 video.  A WebM file consists of VP8 video and Vorbis audio streams, in a container format.  

 

If you're interested in using Encoding.com's platform to create WebM files from your source content, there's a number of ways to achieve
 More -->

WebM is an audio-video format designed to provide a royalty-free, open video compression format for use with HTML5 video.  A WebM file consists of VP8 video and Vorbis audio streams, in a container format.  

 

If you're interested in using Encoding.com's platform to create WebM files from your source content, there's a number of ways to achieve that using the options listed below.
 
+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into WebM files. All you have to do is select 'Add Task' and apply the WebM preset from the dropdown menu in the watchfolder UI. 
 
+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply a WebM preset to your encoding workflow from the dropdown menu.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.
 
+ Implement our powerful API to submit source content and create WebM files in a snap. Complete API documentation here
 
Don't forget to take a peek at our sample XML template for WebM creation.
<format>
    <output>webm</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libvpx</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libvorbis</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <preset>6</preset>
    <file_extension>webm</file_extension>
    <acbr>no</acbr>
</format>
 
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Easily Create iPhone Streaming Files with Encoding.com

If you're interested in using Encoding.com's platform to create iPhone Streaming (m3u8) files from your source content, there's a number of ways to achieve that using the options listed below. Our new HLS encoding has better adaptive bitrate distribution within the H.264 segments!

+ Use our web-based encoding software UI, located @ http://www.encoding.com/login, to designate an Amazon
 More -->

If you're interested in using Encoding.com's platform to create iPhone Streaming (m3u8) files from your source content, there's a number of ways to achieve that using the options listed below. Our new HLS encoding has better adaptive bitrate distribution within the H.264 segments!

+ Use our web-based encoding software UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into iPhone Streaming (m3u8) files. All you have to do is select 'Add Task' and apply the iPhone Streaming (m3u8) preset from the dropdown menu in the watchfolder UI. 
 
+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply an iPhone Streaming (m3u8) preset to your encoding workflow from the dropdown menu.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.
 
+ Implement our powerful encoding API to submit source content and create Apple streaming video format files in a snap.
 
Don't forget to take a peek at our sample XML template for Apple TV creation.
 
<format>
    <output>iphone_stream</output>
    <destination>ftp://***** the output iphone index file (.m3u8) *****</destination>
    <size>400x300</size>
    <audio_bitrate>56k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>iphone_stream</profile>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <turbo>yes</turbo>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <rotate>0</rotate>
    <file_extension>tar</file_extension>
    <hint>no</hint>
    <bitrates>600k,400k,200k,110k</bitrates>
    <framerates>29.97,29.97,15,10</framerates>
    <keyframes>90,90,45,30</keyframes>
    <pack_files>no</pack_files>
    <segment_duration>10</segment_duration>
    <add_audio_only>yes</add_audio_only>
    <still_image>first_segment</still_image>
    <still_image_time>5</still_image_time>
    <still_image_size>480x320</still_image_size>
  </format>
 
HLS iPad and iPhone streaming generate two types of files per Apple spec: the master index files (.m3u8) and the segmented mpeg-4 files (.ts). Our default presets use 10-second segments at 30fps (300 frames each), per Apple Technical Note TN2224.
https://developer.apple.com/library/ios/#technotes/tn2010/tn2224.html

#1 Please be sure to set "Tar segmented files" to OFF or NO, or you will get all the files zipped into one TAR archive file. XML flag as <pack_files>no</pack_files>

#2 Please make sure your index files are set to the proper MIME type on your server (application/x-mpegURL) so they pass the Apple Validator Tool, which I have available for download here:
http://www.pixelgoat.net/encoding/info/Apple_Streaming_ValidatorTool.zip

#3 Please DO NOT use two pass encoding, or you will see a blurry I-frame "popping" at the beginning of each 10 second video segment.

#4 Be aware that 5 different bitrates will output 30 segment (.ts) files per minute of video, so a 10-minute video will be 300 files. You will probably want to encode each video to a separate destination directory to keep your server organized.

You may login to your Encoding.com queue at

https://manage.encoding.com/user/#queue

You may view our web interface tutorial for iPhone streaming at

http://www.encoding.com/video/demo.mp4

SAMPLE XML - Send direct to API at manage.encoding.com
https://www.encoding.com/sendXml/

 

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Apple TV

 

Apple TV, originally launched in September 2006, is a product manufactured and sold by Apple. This digital media receiver is a small form factor network appliance designed to play IPTV digital content originating from the iTunes Store, Netflix, YouTube, Flickr, MobileMe or any Mac OS X or Windows computer running iTunes. 
 
If you're interested in
 More -->

 

Apple TV, originally launched in September 2006, is a product manufactured and sold by Apple. This digital media receiver is a small form factor network appliance designed to play IPTV digital content originating from the iTunes Store, Netflix, YouTube, Flickr, MobileMe or any Mac OS X or Windows computer running iTunes. 
 
If you're interested in using Encoding.com's platform to create Apple TV files from your source content, there's a number of ways to achieve that using the options listed below.
 
+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into Apple TV files. All you have to do is select 'Add Task' and apply the Apple TV preset from the dropdown menu in the watchfolder UI. 
 
+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply an Apple TV preset to your encoding workflow from the dropdown menu.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.
 
+ Implement our powerful API to submit source content and create Apple TV files in a snap. Complete API documentation here
 
Don't forget to take a peek at our sample XML template for Apple TV creation.
<format>  
<output>fl9</output>  
<size>320x240</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>64k</audio_bitrate>  
<audio_channels_number>2</audio_channels_number>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>libx264</video_codec>  
<profile>high</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>libfaac</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>300</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>mp4</file_extension>  
</format>  
 
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FLV codec

Flash Video, or FLV, is a container file format used to deliver video via the Adobe Flash player.  Deployed by leading video sites such as YouTube, Yahoo! Video, and many others, Flash Video is an open format which supports H.264, VP6 and Sorenson Spark formats.

If you're interested in using Encoding.com's platform to create FLV files from your source

 More -->

Flash Video, or FLV, is a container file format used to deliver video via the Adobe Flash player.  Deployed by leading video sites such as YouTube, Yahoo! Video, and many others, Flash Video is an open format which supports H.264, VP6 and Sorenson Spark formats.

If you're interested in using Encoding.com's platform to create FLV files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into FLV files. All you have to do is select 'Add Task' and apply a FLV preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply an FLV preset to your encoding workflow from the dropdown menu.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create FLVs in a snap. Complete API documentation here

Don't forget to take a peek at our sample XML template for FLV creation.
<format>  
<output>fl9</output>  
<size>320x240</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>64k</audio_bitrate>  
<audio_channels_number>2</audio_channels_number>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>libx264</video_codec>  
<profile>high</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>libfaac</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>300</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>mp4</file_extension>  
</format>  
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MPEG4 codec

 

MPEG video generally refers to a set of standards and methods for compressing audio and video data.  MPEG-4, refers to the feature set of MPEG reserved for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray.  MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small
 More -->

 

MPEG video generally refers to a set of standards and methods for compressing audio and video data.  MPEG-4, refers to the feature set of MPEG reserved for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray.  MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks.  Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.
 

Encoding.com: Online MPEG Converter

If you're interested in using Encoding.com's platform to create MPEG4 files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, create a watchfolder and turn an entire folder of source content into MPEG4 files. Watchfolders can exist on Amazon S3, Rackspace CloudFiles or FTP sites.

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' to request an MPEG4 file to be created from your source content. As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create MPEG4s in a snap. Complete API documentation here.

Don't forget to take a peek at our sample XML template for MPEG4 creation:

<format>  
<output>mp4</output>  
<size>320x240</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>64k</audio_bitrate>  
<audio_channels_number>2</audio_channels_number>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>mpeg4</video_codec>  
<profile>main</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>libfaac</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>300</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>mp4</file_extension>  
<hint>no</hint>  
</format>  

 

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Using Advanced MPEG-2 Encoding Options

Our MPEG-2 encoder offers advanced encoding parameters for both GOP structure and cadence. Closed GOPs with scene detection are ideal for delivery to many STBs (Set-Top-Boxes), such as Tivo and Roku. The Strict GOPs option locks the size to your keyframe value, and is necessary for some hardware DRM solutions. We also now provide MPEG-2 keyframe presets for both DVD

 More -->

Our MPEG-2 encoder offers advanced encoding parameters for both GOP structure and cadence. Closed GOPs with scene detection are ideal for delivery to many STBs (Set-Top-Boxes), such as Tivo and Roku. The Strict GOPs option locks the size to your keyframe value, and is necessary for some hardware DRM solutions. We also now provide MPEG-2 keyframe presets for both DVD and Long-GOP output, as well as the option to turn B-frames on/off. This greatly increases compatibility with a wide range of MPEG-2 players and chipsets.

MPEG-2 API options

Here are all the accepted values for our API

<output>mpeg2</output>  
<keyframe>[12|15|25|30]</keyframe><!--GOP length for NTSC/PAL-->
<bframes>[2|0]</bframes><!--bidirectional frames-->
<gop>[cgop|sgop]</gop><!--closed or strict GOP-->   
</output>

 

MPEG-2 Advanced XML Samples

Sample for Tivo and NTSC DVD output

Closed 15-frame GOP using standard IPBBPBBP cadence.

<output>mpeg2</output>  
<keyframe>15</keyframe>   
<bframes>2</bframes>  
<gop>cgop</gop>   
</output>

Sample for PAL DVD output

Closed 12-frame GOP using standard IPBBPBBP cadence.

<output>mpeg2</output>  
<keyframe>12</keyframe>   
<bframes>2</bframes>  
<gop>cgop</gop>   
</output>

Sample for Cablelabs Broadcast NTSC output

Long 30-frame GOP using broadcast IPPPPPPP cadence.

<output>mpeg2</output>  
<keyframe>30</keyframe>   
<bframes>0</bframes>  
<gop>cgop</gop>   
</output>

 

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Flash 9 H264 Template

Standard Flash 9 Template

 

<format>
    <output>fl9</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>high</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
  </format>

 

Standard Flash 9 Template

 

<format>
    <output>fl9</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>high</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
  </format>

 

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MPEG2 Template

Standard Template for MPEG2

<format>
    <output>mpeg2</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>256k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg2video</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>mp2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>15</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mpg</file_extension>
    <bframes>2</bframes>
    <gop>cgop</gop>
</format>

Standard Template for MPEG2

<format>
    <output>mpeg2</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>256k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg2video</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>mp2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>15</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mpg</file_extension>
    <bframes>2</bframes>
    <gop>cgop</gop>
</format>
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3GP Template

Standard template for 3GP

 

 <format>
    <output>3gp</output>
    <size>176x144</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>12.2k</audio_bitrate>
    <audio_sample_rate>8000</audio_sample_rate>
    <audio_channels_number>1</audio_channels_number>
    <framerate>15</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>h263</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libamr_nb</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>3gp</file_extension>
</format>
 

 

Standard template for 3GP

 

 <format>
    <output>3gp</output>
    <size>176x144</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>12.2k</audio_bitrate>
    <audio_sample_rate>8000</audio_sample_rate>
    <audio_channels_number>1</audio_channels_number>
    <framerate>15</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>h263</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libamr_nb</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>3gp</file_extension>
</format>
 

 

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Flash 8 VP6 Flix Engine Template

Standard Flash 8 VP6 Flix Engine Template

 

<format>
    <output>vp6_flix</output>
    <file_extension>flv</file_extension>
    <video_codec>vp6_flix</video_codec>
    <size>320x240</size>
    <bitrate>200k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <vp6_profile>1</vp6_profile>
    <keyframe>300</keyframe>
    <upct>90</upct>
    <kfinttype>1</kfinttype>
    <cxmode>1</cxmode>
</format>
 

Standard Flash 8 VP6 Flix Engine Template

 

<format>
    <output>vp6_flix</output>
    <file_extension>flv</file_extension>
    <video_codec>vp6_flix</video_codec>
    <size>320x240</size>
    <bitrate>200k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <vp6_profile>1</vp6_profile>
    <keyframe>300</keyframe>
    <upct>90</upct>
    <kfinttype>1</kfinttype>
    <cxmode>1</cxmode>
</format>
 
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Flash 8 VP6 Template

Standard Flash 8 VP6 Template

 

<format>
    <output>vp6</output>
    <file_extension>flv</file_extension>
    <video_codec>vp6</video_codec>
    <size>320x240</size>
    <bitrate>200k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
</format>

 

Standard Flash 8 VP6 Template

 

<format>
    <output>vp6</output>
    <file_extension>flv</file_extension>
    <video_codec>vp6</video_codec>
    <size>320x240</size>
    <bitrate>200k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
</format>

 

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PSP Template

Standard PSP Template

 

<format>
    <output>psp</output>
    <size>368x192</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>24000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>30000/1001</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
 </format>
 

Standard PSP Template

 

<format>
    <output>psp</output>
    <size>368x192</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_sample_rate>24000</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <framerate>30000/1001</framerate>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
 </format>
 
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Apple TV Template

Standard Template for Apple TV

 

<format>
    <output>appletv</output>
    <size>710x480</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>

 

Standard Template for Apple TV

 

<format>
    <output>appletv</output>
    <size>710x480</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>

 

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iPad Template

Standard iPad Template

 

<format>
    <output>ipad</output>
    <size>640x480</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>40k</audio_bitrate>
    <audio_sample_rate>22050</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>
 

Standard iPad Template

 

<format>
    <output>ipad</output>
    <size>640x480</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>40k</audio_bitrate>
    <audio_sample_rate>22050</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>
 
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iPhone Template

Standard template for iPhone video

 

<format>
    <output>iphone</output>
    <size>480x368</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
 </format>
 

Standard template for iPhone video

 

<format>
    <output>iphone</output>
    <size>480x368</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
 </format>
 
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iPod Template

Standard iPod template

 

<format>
    <output>ipod</output>
    <size>320x240</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>
 

Standard iPod template

 

<format>
    <output>ipod</output>
    <size>320x240</size>
    <bitrate>1024k</bitrate>
    <audio_bitrate>128k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>libx264</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>
 
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Raw MPEG4 Template

Raw MPEG4 Template

 

<format>
    <output>m4v</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>m4v</file_extension>
  </format>
 

Raw MPEG4 Template

 

<format>
    <output>m4v</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>m4v</file_extension>
  </format>
 
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MOV Template

Standard QuickTime MOV template

<format>
    <output>mov</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
</format>
 

 

Standard QuickTime MOV template

<format>
    <output>mov</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mov</file_extension>
    <hint>no</hint>
</format>
 

 

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MPEG4 Template

Standard template for MPEG4

<format>
    <output>mp4</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
  </format>
 

Standard template for MPEG4

<format>
    <output>mp4</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
  </format>
 
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WMV template

Standard template for WMV:

 

<format>
    <output>wmv</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>wmv2</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>wmav2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>wmv</file_extension>
</format>
 

Standard template for WMV:

 

<format>
    <output>wmv</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>wmv2</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>wmav2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>wmv</file_extension>
</format>
 
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H264 to WMV

Encoding.com supports a host of file formats within the .avi and .wmv containers. Read on to learn more about our H264 to WMV conversion platform and check out our up to the minute list of supported file formats .

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next

 More -->

Encoding.com supports a host of file formats within the .avi and .wmv containers. Read on to learn more about our H264 to WMV conversion platform and check out our up to the minute list of supported file formats.

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes. It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding.

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation.

Encoding.com: Online H264 to WMV Converter

Through our web uploader, it is easy to access and use our online H264 to WMV file converter. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select WMV. That’s it! Free plans are available – sign up now!

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H264 Encoder

Encoding.com supports a host of file formats within many video containers. Read on to learn more about our H264 encoder and check out our up to the minute list of supported file formats .

H264 Converter

Through our web uploader, our online H264 converter is easy to use. You can push individual files directly to

 More -->

Encoding.com supports a host of file formats within many video containers. Read on to learn more about our H264 encoder and check out our up to the minute list of supported file formats.

H264 Converter

Through our web uploader, our online H264 converter is easy to use. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the appropriate container and H264 codec of choice. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

A Simple Online H264 Encoding Solution

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes. It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding. H264 encoding is simple with Encoding.com. Try one of our free plans today!

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HD Codec

We are your HD codec solution. Use Encoding.com’s powerful encoding engine to easily create stunning HD content. Upload videos to our platform from S3, FTP, Rackspace or local storage and effortlessly have them encoded for playback in the HD environment of your choice.

Find Codecs for HD Videos

Need to create HD content daily and find codecs

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We are your HD codec solution. Use Encoding.com’s powerful encoding engine to easily create stunning HD content. Upload videos to our platform from S3, FTP, Rackspace or local storage and effortlessly have them encoded for playback in the HD environment of your choice.

Find Codecs for HD Videos

Need to create HD content daily and find codecs for HD videos? Deliver to multiple locations? Designate a watch folder on any of our supported locations and add multiple destinations with ease. Encoding to HD has never been easier.

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mobile-video-format

Encoding.com has removed the guesswork for creating dynamic workflows for mobile content. We make it fast and easy to convert to mobile video format .

Find the Right Mobile Video Codec for Your Needs

Encoding.com has the mobile video codec you seek. Choose from iPhone, iPod, iPad, Blackberry, Droid, Nokia, PSP or Zune. Upload content via

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Encoding.com has removed the guesswork for creating dynamic workflows for mobile content. We make it fast and easy to convert to mobile video format.

Find the Right Mobile Video Codec for Your Needs

Encoding.com has the mobile video codec you seek. Choose from iPhone, iPod, iPad, Blackberry, Droid, Nokia, PSP or Zune. Upload content via API or web UI, pick and choose from the presets in our web interface and that’s it! You’ve just created a simple workflow that’s ready to distribute to many mobile formats in just a few clicks.

Mobile Video Compression is Easy with Encoding.com

Try our cloud-based mobile video compression and encoding software today. Regardless of your needs, Encoding.com has the solution.

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MOV Converter

Use Encoding.com’s powerful encoding engine and online MOV converter to easily convert your video files to .mov. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

MOV Encoder

Need to encode many files to .mov daily? Need to deliver to

 More -->

Use Encoding.com’s powerful encoding engine and online MOV converter to easily convert your video files to .mov. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

MOV Encoder

Need to encode many files to .mov daily? Need to deliver to multiple locations? Our MOV encoder is the answer. Designate a watch folder on any of our supported locations and add multiple destinations with ease. Encoding to .mov has never been easier.

Encoding.com: MOV Conversion Software

File conversions are fast and easy with our MOV conversion software. We offer several packages for our cloud-based encoding system. Contact us today to learn more.

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MP4 to 3GP Converter

Encoding.com supports a host of file formats within the .mpeg4 and .3gp containers. Learn more about our easy-to-use MP4 to 3GP converter or check out our up to the minute list of other supported file formats .

MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital

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Encoding.com supports a host of file formats within the .mpeg4 and .3gp containers. Learn more about our easy-to-use MP4 to 3GP converter or check out our up to the minute list of other supported file formats.

MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital audio and video streams, but can also be used to store other data such as subtitles and still images. It is based on AppleÕs QuickTime file format (.mov). Like most modern container formats, MP4 allows streaming over the Internet. A separate hint track is used to include streaming information in the file.

3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 video codecs. 3GP was designed to decrease storage and bandwidth requirements in order to accommodate mobile phones. Most 3G capable mobile phones support the playback and recording of video in 3GP format (memory, maximum file size for playback and recording, and resolution limits exist and vary).

Encoding.com: The Online MP4 to 3GP Video Converter

With our web uploader, using our online mp4 to 3gp video converter could not be easier. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select 3gp. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

Try one of our free plans today!

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MPEG Encoder

Encoding.com supports a host of file formats within many video containers. Learn more about our easy-to-use MPEG encoder or check out our up to the minute list of other supported file formats .

Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4. VP6 is a proprietary video codec developed by

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Encoding.com supports a host of file formats within many video containers. Learn more about our easy-to-use MPEG encoder or check out our up to the minute list of other supported file formats.

Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4. VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe Flash, Flash Video and JavaFX media files. It was widely adopted prior to the emergence of the H.264 codec, and is used primarily for Internet video and Flash video files. VP6 supports multi-pass encoding, constant or variable data rates, and advanced error recovery; and can be used to encode high resolution video, including 1920×1080 HD video streams.

MPEG Video Compression

Through our web uploader, MPEG video compression and MPEG transcoding have never been easier. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the flavor of mpeg that you need. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

Encoding.com: Scalable Online MPEG Transcoding Software

We offer our users a simple and scalable online MPEG transcoding solution. MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Try one of our free plans today!

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On2 VP6

Use Encoding.com’s powerful encoding engine to easily convert your video files to On2 VP6 based Flash. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

Find On2 VP6 Video Codecs

Need to encode many files daily? Deliver to multiple

 More -->

Use Encoding.com’s powerful encoding engine to easily convert your video files to On2 VP6 based Flash. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

Find On2 VP6 Video Codecs

Need to encode many files daily? Deliver to multiple locations? Need On2 VP6 video codecs? Designate a watch folder on any of our supported locations, use our “VP6” encoding output option.

Perform On2 VP6 Video Encoding

On2 VP6 video encoding has never been easier. Encoding.com has online encoding and conversion software that is entirely scalable and easy to use.

If you're interested in using Encoding.com's platform to create On2 VP6 FLV files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into On2 VP6 FLV files. It's easy to do by applying one of our On2 VP6 presets. All you have to do is select 'Add Task' and apply a On2 VP6 preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' to request an On2 VP6 FLV file to be created from your source content. As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create On2 VP6 FLVs in a snap. Complete API documentation here

Don't forget to take a peek at our sample XML template for On2 VP6 FLV creation.

<format>  
<output>vp6</output>  
<file_extension>flv</file_extension>  
<video_codec>vp6</video_codec> 
<size>320x240</size>  
<bitrate>200k</bitrate>  
<audio_bitrate>64k</audio_bitrate>  
<audio_sample_rate>44100</audio_sample_rate>  
<audio_channels_number>2</audio_channels_number>  
</format> 

 

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Windows Media Encoder

Windows Media Video is one of the many major video codecs, widely accepted across the board as a format for internet streaming applications. Our online Windows Media encoder is fast and easy to use. Encoding.com accepts many types of files from the .wmv family.

Streaming Video Encoder

Encoding.com offers a streaming video encoder that is completely

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Windows Media Video is one of the many major video codecs, widely accepted across the board as a format for internet streaming applications. Our online Windows Media encoder is fast and easy to use. Encoding.com accepts many types of files from the .wmv family.

Streaming Video Encoder

Encoding.com offers a streaming video encoder that is completely scalable and easy to use. Use our web interface, powerful API or desktop application to create or encode the flavor of .wmv of your liking. Check out our up to the minute list of supported file formats.

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Apple TV Video Converter | Apple TV Encoding | Codecs

Use Encoding.com’s powerful encoding engine as your Apple TV video converter solution and easily convert your video files to Apple TV compliant files.

Convert Your Video Files to Apple TV Format

Easily convert video to Apple TV format with Encoding.com. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have

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Use Encoding.com’s powerful encoding engine as your Apple TV video converter solution and easily convert your video files to Apple TV compliant files.

Convert Your Video Files to Apple TV Format

Easily convert video to Apple TV format with Encoding.com. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them encoded for playback on Apple TV and delivered back to S3, FTP or Rackspace.

Apple TV Encoding Made Easy

Need to encode many files to .mov daily? Deliver to multiple locations? Designate a watch folder on any of our supported locations and add multiple destinations with ease. Encoding for Apple TV has never been easier.

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3G2 Converter

Use Encoding.com’s powerful encoding engine and online 3G2 converter to easily convert your video files to 3g2 files. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them encoded for mobility and delivered back to S3, FTP or Rackspace.

3G2 Codec

Need to encode many files to .3g2 daily? Deliver

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Use Encoding.com’s powerful encoding engine and online 3G2 converter to easily convert your video files to 3g2 files. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them encoded for mobility and delivered back to S3, FTP or Rackspace.

3G2 Codec

Need to encode many files to .3g2 daily? Deliver to multiple locations? We have the 3G2 codec that you seek. Designate a watch folder on any of our supported locations and add multiple destinations with ease. Encoding for mobility has never been easier.

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Can I pull video from one file and audio from another?

We now have an mpeg-2 muxing feature that takes two source files and outputs a DVD format mpeg-2 file (PAL or NTSC)


Here's a snippet of the XML you would use:


 <?xml version="1.0"?>  
<query> 
<action>AddMedia</action> 
<userid/> 
<userkey/> 
<source>[Video source]</source> 
<source>[Audio source]</source> 
<format> 
<output>muxer</output> 
<target>ntsc-dvd</target>  <!---or pal-dvd---!>
<maps>0:0,1:0</maps> 
</format> 
</query>   

Unfortunately, we do not currently support muxing

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We now have an mpeg-2 muxing feature that takes two source files and outputs a DVD format mpeg-2 file (PAL or NTSC)


Here's a snippet of the XML you would use:


	<?xml version="1.0"?> 
<query> 
<action>AddMedia</action> 
<userid/> 
<userkey/> 
<source>[Video source]</source> 
<source>[Audio source]</source> 
<format> 
<output>muxer</output> 
<target>ntsc-dvd</target>  <!---or pal-dvd---!>
<maps>0:0,1:0</maps> 
</format> 
</query>   

Unfortunately, we do not currently support muxing to mpeg-4 output. We also do not support start/duration flags for multiple sources during a concatenation encode, and have no plans to do so.

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Advanced configuration options for the libx264 video codec

x264 ffmpeg mapping and options guide

This guide maps most of x264's options to FFmpeg's options along with detailed descriptions by x264 developer Dark_Shikari.

FFmpeg developer superdump has implemented x264 presets to FFmpeg. You can find his guide here.

Frame-type options:

g <integer>
Keyframe interval, also known as GOP

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x264 ffmpeg mapping and options guide

This guide maps most of x264's options to FFmpeg's options along with detailed descriptions by x264 developer Dark_Shikari.

FFmpeg developer superdump has implemented x264 presets to FFmpeg. You can find his guide here.

Frame-type options:

g <integer>
Keyframe interval, also known as GOP length. This determines the maximum distance between I-frames. Very high GOP lengths will result in slightly more efficient compression, but will make seeking in the video somewhat more difficult. Recommended default: 250



    keyint_min <integer>
    Minimum GOP length, the minimum distance between I-frames. Recommended default: 25


    sc_threshold <integer>
    Adjusts the sensitivity of x264's scenecut detection. Rarely needs to be adjusted. Recommended default: 40


    bf <integer>
    B-frames are a core element of H.264 and are more efficient in H.264 than any previous standard. Some specific targets, such as HD-DVD and Blu-Ray, have limitations on the number of consecutive B-frames. Most, however, do not; as a result, there is rarely any negative effect to setting this to the maximum (16) since x264 will, if B-adapt is used, automatically choose the best number of B-frames anyways. This parameter simply serves to limit the max number of B-frames. Note that Baseline Profile, such as that used by iPods, does not support B-frames. Recommended default: 16

0: Very fast, but not recommended. Does not work with pre-scenecut (scenecut must be off to force off b-adapt).

1: Fast, default mode in x264. A good balance between speed and quality.

2: A much slower but more accurate B-frame decision mode that correctly detects fades and generally gives considerably better quality. Its speed gets considerably slower at high bframes values, so its recommended to keep bframes relatively low (perhaps around 3) when using this option. It also may slow down the first pass of x264 when in threaded mode.

    b_strategy <integer>
    x264, by default, adaptively decides through a low-resolution lookahead the best number of B-frames to use. It is possible to disable this adaptivity; this is not recommended. Recommended default: 1


    bframebias 
    Make x264 more likely to choose higher numbers of B-frames during the adaptive lookahead. Not generally recommended. Recommended default: 0


    flags2 +bpyramid
    Allows B-frames to be kept as references. The name is technically misleading, as x264 does not actually use pyramid coding; it simply adds B-references to the normal reference list. B-references get a quantizer halfway between that of a B-frame and P-frame. This setting is generally beneficial, but it increases the DPB (decoding picture buffer) size required for playback, so when encoding for hardware, disabling it may help compatibility.


    coder
    CABAC is the default entropy encoder used by x264. Though somewhat slower on both the decoding and encoding end, it offers 10-15% improved compression on live-action sources and considerably higher improvements on animated sources, especially at low bitrates. It is also required for the use of trellis quantization. Disabling CABAC may somewhat improve decoding performance, especially at high bitrates. CABAC is not allowed in Baseline Profile. Recommended default: -coder 1 (CABAC enabled)


    refs <integer>
    One of H.264's most useful features is the abillity to reference frames other than the one immediately prior to the current frame. This parameter lets one specify how many references can be used, through a maximum of 16. Increasing the number of refs increases the DPB (Decoded Picture Buffer) requirement, which means hardware playback devices will often have strict limits to the number of refs they can handle. In live-action sources, more reference have limited use beyond 4-8, but in cartoon sources up to the maximum value of 16 is often useful. More reference frames require more processing power because every frame is searched by the motion search (except when an early skip decision is made). The slowdown is especially apparent with slower motion estimation methods. Recommended default: -refs 6


    flags
    Disable loop filter. Recommended default: -flags +loop (Enabled)

    deblockalpha <integer>
    deblockbeta <integer>
    One of H.264's main features is the in-loop deblocker, which avoids the problem of blocking artifacts disrupting motion estimation. This requires a small amount of decoding CPU, but considerably increases quality in nearly all cases. Its strength may be raised or lowered in order to avoid more artifacts or keep more detail, respectively. Deblock has two parameters: alpha (strength) and beta (threshold). Recommended defaults:-deblockalpha 0 -deblockbeta 0 (Must have '-flags +loop')

Ratecontrol:


    cqp <integer>
    Constant quantizer mode. Not exactly constant completely--B-frames and I-frames have different quantizers from P-frames. Generally should not be used, since CRF gives better quality at the same bitrate.


    b <integer>
    Enables target bitrate mode. Attempts to reach a specific bitrate. Should be used in 2-pass mode whenever possible; 1-pass bitrate mode is generally the worst ratecontrol mode x264 has.


    crf <float>
    Constant quality mode (also known as constant ratefactor). Bitrate corresponds approximately to that of constant quantizer, but gives better quality overall at little speed cost. The best one-pass option in x264.


    maxrate <integer>
    Specifies the maximum bitrate at any point in the video. Requires the VBV buffersize to be set. This option is generally used when encoding for a piece of hardware with bitrate limitations.


    bufsize <integer>
    Depends on the profile level of the video being encoded. Set only if you're encoding for a hardware device.


    rc_init_occupancy <float>
    Initial VBV buffer occupancy. Note: Don't mess with this.


    qmin <integer>
    Minimum quantizer. Doesn't need to be changed. Recommended default: -qmin 10


    qmax <integer>
    Maximum quantizer. Doesn't need to be changed. Recommended default: -qmax 51


    qdiff <integer>
    Set max QP step. Recommended default: -qdiff 4


    bt <float>
    Allowed variance of average bitrate


    i_qfactor <float>
    Qscale difference between I-frames and P-frames. Note: -i_qfactor is handled a little differently than --ipratio. Recommended: -i_qfactor 0.71

    b_qfactor <float>
    Qscale difference between P-frames and B-frames.

    chromaoffset <integer>
    QP difference between chroma and luma.


    pass <1,2,3>
    Used with --bitrate. Pass 1 writes the stats file, pass 2 reads it, and 3 both reads and writes it. If you want to use three pass, this means you will have to use --pass 1 for the first pass, --pass 3 for the second, and --pass 2 or 3 for the third.

    rc_eq <string>
    Ratecontrol equation. Recommended default: -rc_eq 'blurCplx^(1-qComp)'

    qcomp <float>
    QP curve compression: 0.0 => CBR, 1.0 => CQP. Recommended default: -qcomp 0.60


    complexityblur <float>
    Reduce fluctuations in QP (before curve compression) [20.0]


    qblur <float>
    Reduce fluctuations in QP (after curve compression) [0.5]


p8x8 (x264) /+partp8x8 (FFmpeg)

p4x4 (x264) /+partp4x4 (FFmpeg)

b8x8 (x264) /+partb8x8 (FFmpeg)

i8x8 (x264) /+parti8x8 (FFmpeg)

i4x4 (x264) /+parti4x4 (FFmpeg)


    partitions <string> One of H.264's most useful features is the ability to choose among many combinations of inter and intra partitions. P-macroblocks can be subdivided into 16x8, 8x16, 8x8, 4x8, 8x4, and 4x4 partitions. B-macroblocks can be divided into 16x8, 8x16, and 8x8 partitions. I-macroblocks can be divided into 4x4 or 8x8 partitions. Analyzing more partition options improves quality at the cost of speed. The default is to analyze all partitions except p4x4 (p8x8, i8x8, i4x4, b8x8), since p4x4 is not particularly useful except at high bitrates and lower resolutions. Note that i8x8 requires 8x8dct, and is therefore a High Profile-only partition. p8x8 is the most costly, speed-wise, of the partitions, but also gives the most benefit. Generally, whenever possible, all partition types except p4x4 should be used.


    directpred <integer>
    B-frames in H.264 can choose between spatial and temporal prediction mode. Auto allows x264 to pick the best of these; the heuristic used is whichever mode allows more skip macroblocks. Auto should generally be used.

    flags2 +wpred
    This allows B-frames to use weighted prediction options other than the default. There is no real speed cost for this, so it should always be enabled.


dia (x264) / epzs (FFmpeg) is the simplest search, consisting of starting at the best predictor, checking the motion vectors at one pixel upwards, left, down, and to the right, picking the best, and repeating the process until it no longer finds any better motion vector.

hex (x264) / hex (FFmpeg) consists of a similar strategy, except it uses a range-2 search of 6 surrounding points, thus the name. It is considerably more efficient than DIA and hardly any slower, and therefore makes a good choice for general-use encoding.

umh (x264) / umh (FFmpeg) is considerably slower than HEX, but searches a complex multi-hexagon pattern in order to avoid missing harder-to-find motion vectors. Unlike HEX and DIA, the merange parameter directly controls UMH's search radius, allowing one to increase or decrease the size of the wide search.

esa (x264) / full (FFmpeg) is a highly optimized intelligent search of the entire motion search space within merange of the best predictor. It is mathematically equivalent to the bruteforce method of searching every single motion vector in that area, though faster. However, it is still considerably slower than UMH, with not too much benefit, so is not particularly useful for everyday encoding.


    me_method <epzs,hex,umh,full> One of the most important settings for x264, both speed and quality-wise.


    me_range <integer>
    MErange controls the max range of the motion search. For HEX and DIA, this is clamped to between 4 and 16, with a default of 16. For UMH and ESA, it can be increased beyond the default 16 to allow for a wider-range motion search, which is useful on HD footage and for high-motion footage. Note that for UMH and ESA, increasing MErange will significantly slow down encoding.


1: Fastest, but extremely low quality. Should be avoided except on first pass encoding.

2-5: Progressively better and slower, 5 serves as a good medium for higher speed encoding.

6-7: 6 is the default. Activates rate-distortion optimization for partition decision. This can considerably improve efficiency, though it has a notable speed cost. 6 activates it in I/P frames, and subme7 activates it in B frames.

8-9: Activates rate-distortion refinement, which uses RDO to refine both motion vectors and intra prediction modes. Slower than subme 6, but again, more efficient.


    subq An extremely important encoding parameter which determines what algorithms are used for both subpixel motion searching and partition decision.

    flags2 +mixed_refs
    H.264 allows p8x8 blocks to select different references for each p8x8 block. This option allows this analysis to be done, and boosts quality with little speed impact. It should generally be used, though it obviously has no effect with only one reference frame.


    flags2 +dct8x8
    Gives a notable quality boost by allowing x264 to choose between 8x8 and 4x4 frequency transform size. Required for i8x8 partitions. Speed cost for this option is near-zero both for encoding and decoding; the only reason to disable it is when one needs support on a device not compatible with High Profile.


0: disabled

1: enabled only on the final encode of a MB

2: enabled on all mode decisions


    trellis <0,1,2>The main decision made in quantization is which coefficients to round up and which to round down. Trellis chooses the optimal rounding choices for the maximum rate-distortion score, to maximize PSNR relative to bitrate. This generally increases quality relative to bitrate by about 5% for a somewhat small speed cost. It should generally be enabled. Note that trellis requires CABAC.


flags2 -fastpskip
By default, x264 will skip macroblocks in P-frames that don't appear to have changed enough between two frames to justify encoding the difference. This considerably speeds up encoding. However, for a slight quality boost, P-skip can be disabled. In this case, the full analysis will be done on all P-blocks, and the only skips in the output stream will be the blocks whose motion vectors happen to match that of the skip vector and motion vectors happen to match that of the skip vector and which have no residual. The speed cost of enabling no-fast-pskip is relatively high, especially with many reference frames. There is a similar B-skip internal to x264, which is why B-frames generally encode much faster than P-frames, but it cannot be disabled on the commandline.

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MP4 Codec

MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital audio and video streams, but can also be used to store other data such as subtitles and still images. It is based on Apple’s QuickTime file format (.mov).  Like most modern container formats, MP4 allows streaming over the Internet.  A

 More -->

MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital audio and video streams, but can also be used to store other data such as subtitles and still images. It is based on Apple’s QuickTime file format (.mov).  Like most modern container formats, MP4 allows streaming over the Internet.  A separate hint track is used to include streaming information in the file.  When encoding.com encoded into .mp4 format by default we add the hint track so prepare your file for streaming.

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3GP Codec

The 3GP Codec

Encoding.com is a Flexible Online 3GP Converter

3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 video codecs. Encoding.com supports a host of file formats within many video containers. Check out our up to the minute list of supported file formats and read below to learn more about our 3GP

 More -->

The 3GP Codec

Encoding.com is a Flexible Online 3GP Converter

3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 video codecs. Encoding.com supports a host of file formats within many video containers. Check out our up to the minute list of supported file formats and read below to learn more about our 3GP online converter.

 

3GP Video Compression is Easy with Encoding.com

3GP was designed to decrease storage and bandwidth requirements in order to accommodate mobile phones. Most 3G capable mobile phones support the playback and recording of video in 3GP format (memory, maximum file size for playback and recording, and resolution limits exist and vary). Free plans are available now!

Encoding.com: Online 3GP Converter

If you're interested in using Encoding.com's platform to create 3GP files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, create a watchfolder and turn an entire folder of source content into 3GP files.  Next, apply our our 3GP preset from the drop down menu to create your encoding workflow. Watchfolders can exist on Amazon S3, Rackspace CloudFiles or FTP sites.

 

+ Use our web-based encoding software, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into 3GP files. It's easy to do by applying our 3GP preset. All you have to do is select 'Add Task' and apply the 3GP preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI.  Select 'Add Task' to apply the 3GP preset to your encoding workflow.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful encoding API to submit source content and create 3GPs in a snap. Complete API documentation here.

 

Don't forget to take a peek at our sample XML template for 3GP creation:

 

<format>  
<output>3gp</output>  
<size>176x144</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>12.2k</audio_bitrate>  
<audio_sample_rate>8000</audio_sample_rate>  
<audio_channels_number>1</audio_channels_number>  
<framerate>15</framerate>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>h263</video_codec>  
<profile>baseline</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>libamr_nb</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>300</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>3gp</file_extension>  
</format>  

 

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H.264: Using High versus Main profile

A common question for many users is what level profile to use with H.264 encoding for web streaming.

Baseline - for low definition (LD) 320x240 or smaller, compatible with older 3G mobiles
Main - for standard definition (SD) to 640x480, good for modern smartphones and tablets
High - for high definition (HD) to 1920x1080, best for big screens with

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A common question for many users is what level profile to use with H.264 encoding for web streaming.

Baseline - for low definition (LD) 320x240 or smaller, compatible with older 3G mobiles
Main - for standard definition (SD) to 640x480, good for modern smartphones and tablets
High - for high definition (HD) to 1920x1080, best for big screens with a good decoder

 

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How do I Convert Apple TV Video

Apple TV is a device from Apple that enables consumers to distribute media including HD movies, music and photos from their computers to their HDTVs.  It can connect wirelessly to home networks and with a single HDMI cable to the HDTV. Apple TV supports the H.264 codec at various high-resolution and standard bitrates using the .m4v, .mp4, and .mov file

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Apple TV is a device from Apple that enables consumers to distribute media including HD movies, music and photos from their computers to their HDTVs.  It can connect wirelessly to home networks and with a single HDMI cable to the HDTV. Apple TV supports the H.264 codec at various high-resolution and standard bitrates using the .m4v, .mp4, and .mov file formats.  It also supports a number of audio file formats including AAC, MP3, Apple Lossless, AIFF, WAV, and Dolby Digital 5.1 surround sound.

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WMV Codec

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. The WMV codec can handle anything from low resolution video for dial-up Internet users to HDTV.  The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known

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Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. The WMV codec can handle anything from low resolution video for dial-up Internet users to HDTV.  The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1.  While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation.

+ Use our transcoding software web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into WMV files. All you have to do is select 'Add Task' and apply a WMV preset from the dropdown menu in the watchfolder UI. Need just Windows Media Audio, we have a preset for that as well!

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply an WMV preset to your encoding workflow from the dropdown menu.  As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create WMVs in a snap. Complete API documentation here

Don't forget to take a peek at our sample XML template for WMV creation.

 

<format>
    <output>wmv</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>wmv2</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>wmav2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>wmv</file_extension>
</format>

 

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Video Codec

A video codec is software or a device that enables the compression or decompression of digital video.  In the past, video was stored as an analog signal on magnetic tape.  With the immersion of the Compact Disc and its ability to store video in digital format, it became possible to begin utilizing and storing video in digital form.  Video codecs
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A video codec is software or a device that enables the compression or decompression of digital video.  In the past, video was stored as an analog signal on magnetic tape.  With the immersion of the Compact Disc and its ability to store video in digital format, it became possible to begin utilizing and storing video in digital form.  Video codecs seek to represent a fundamentally analog data set in a digital way.
 
Many technologies have since emerged to store and play digital video.  There is a complex balance between maximizing the video quality while minimizing file size for storage and streaming.  Included within this complexity is the quantity of data needed to represent the video (bit rate), encoding and decoding algorithms, ease of editing, minimizing data loss, and many other factors.
 
The most common digital video codecs utilized today for broadband video playback on the various Internet connected devices include MPEG-2, H.263 / Sorenson Spark, MPEG-4 Part 2, H.264 / MPEG-4 AVC, and VP6.
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M4A Codec

MPEG-4 is a developing standard used to compress audio and visual data, and is divided into several parts. The standard includes the concept of “profiles” and “levels,” allowing a specific set of capabilities to be defined in a manner appropriate for a subset of applications.  The MPEG-4 standard is generally used for streaming media and CD distribution, video conversation, and

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MPEG-4 is a developing standard used to compress audio and visual data, and is divided into several parts. The standard includes the concept of “profiles” and “levels,” allowing a specific set of capabilities to be defined in a manner appropriate for a subset of applications.  The MPEG-4 standard is generally used for streaming media and CD distribution, video conversation, and broadcast television and includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray.  MPEG-4 also supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks.  Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.

The existence of two different file extensions for naming audio-only MP4 files has been a source of confusion among users and multimedia playback software. Since MPEG-4 Part 14 is a container format, MPEG-4 files may contain any number of audio, video, and even subtitle streams, making it impossible to determine the type of streams in an MPEG-4 file based on its filename extension alone. In response, Apple started using and popularizing the .m4a file extension. Software capable of audio/video playback should recognize files with either .m4a or .mp4 file extensions, as would be expected, as there are no file format differences between the two. Most software capable of creating MPEG-4 audio will allow the user to choose the filename extension of the created MPEG-4 files.

If you're interested in using Encoding.com's platform to create mpeg4 files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into mpeg4 files. It's easy to do by applying our mpeg4 preset. All you have to do is select 'Add Task' and apply the mpeg4 preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' and apply the mpeg4 preset to your source content. As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create mpeg4 files in a snap. Complete API documentation here

Don't forget to take a peek at our sample XML template for mpeg4 creation.

 

<format>
    <output>mp4</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
</format>

 

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ASF Codec

Advanced System Format (ASF – formerly Advanced Streaming Format) is Microsoft’s proprietary digital audio / digital video container format especially meant for streaming media.  ASF is part of the Windows Media framework. The ASF format does not specify which codec should be used to encode the audio or video – it just specifies the structure of the audio / video

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Advanced System Format (ASF – formerly Advanced Streaming Format) is Microsoft’s proprietary digital audio / digital video container format especially meant for streaming media.  ASF is part of the Windows Media framework. The ASF format does not specify which codec should be used to encode the audio or video – it just specifies the structure of the audio / video stream.  This is similar to the QuickTime and AVI container formats.  The most common file types contained within the ASF file are Windows Media Audio (WMA) and Windows Media Video (WMV).  ASF files can also contain metadata including artist, title, album and genre for an audio track, or director of a video track, similar to ID3 tags of MP3 files.

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3GP2 Codec

The 3GP2 file type is primarily associated with '3GPP2'. 3GPP and 3GPP2 are the new worldwide standards for the creation, delivery and playback of multimedia over 3rd generation, high-speed wireless networks. Defined by the 3rd Generation Partnership Project and 3rd Generation Partnership Project 2 respectively, these standards seek to provide uniform delivery of rich multimedia over newly evolved, broadband mobile

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The 3GP2 file type is primarily associated with '3GPP2'. 3GPP and 3GPP2 are the new worldwide standards for the creation, delivery and playback of multimedia over 3rd generation, high-speed wireless networks. Defined by the 3rd Generation Partnership Project and 3rd Generation Partnership Project 2 respectively, these standards seek to provide uniform delivery of rich multimedia over newly evolved, broadband mobile networks (3rd generation networks) to the latest multimedia-enabled wireless devices. 3GPP and 3GPP2 are based on the MPEG-4 standard that was derived from Apple's QuickTime.

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M4V Codec

M4V Codec

M4V video files containers are produced by Apple for iTunes TV episodes, music videos, and feature length movies. The M4V file format is a standard file format for videos for iPods and PlayStation Portables developed by Apple. The  M4V files format is based on the MPEG-4 AVC video codec, which is a global media standard with

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M4V Codec

M4V video files containers are produced by Apple for iTunes TV episodes, music videos, and feature length movies. The M4V file format is a standard file format for videos for iPods and PlayStation Portables developed by Apple. The  M4V files format is based on the MPEG-4 AVC video codec, which is a global media standard with the aim to provide optimized video podcasts for the video iPod. .M4V files are related to .MP4 files, however M4V files are opened with the iTunes player by default while MP4 files are opened with Quicktime player by default. The copyright of M4V files may be protected by using Apple's FairPlay DRM copyright protection. To play a protected M4V file, the computer needs to be authorized (using iTunes) with the account that was used to purchase the video. However, in some cases unprotected M4V files may be recognized and played by other video players by changing the file extension from ‘.m4v’ to ‘.mp4’.

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MPEG Codec

MPEG video generally refers to a set of standards and methods for compressing audio and video data.  The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD

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MPEG video generally refers to a set of standards and methods for compressing audio and video data.  The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray.  MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks.  Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.

Encoding.com: Online MPEG Converter

If you're interested in using Encoding.com's platform to create MPEG2 files from your source content, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of content into mpeg2 files. It's easy to do by applying our mpeg2 preset. All you have to do is select 'Add Task' and apply the mpeg2 preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' to request an mpeg2 file to be created from your source content. As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit source content and create MPEG2s in a snap. Complete API documentation here.

+ Want to go even deeper into mpeg2 creation? Check our our advanced mpeg2 controls here. Interested on muxing details for DVD delivery in either PAL or NTSC? Go here for details on how to mux either via API or web UI. 

Don't forget to take a peek at our sample XML template for MPEG2 creation:

 

<format>  
<output>mpeg2</output>  
<size>320x240</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>256k</audio_bitrate>  
<audio_sample_rate>44100</audio_sample_rate>  
<audio_channels_number>2</audio_channels_number>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>mpeg2video</video_codec>  
<profile>baseline</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>mp2</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>15</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>mpg</file_extension>  
<bframes>2</bframes>  
<gop>cgop</gop>  
</format>  

 

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H264 Codec

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes.  It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility

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H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes.  It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding.

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AVI Codec

AVI Codec

Scalable, Cloud-Based AVI Conversion/Encoding Software

Audio Video Interleave, known as the AVI codec , is a multimedia container format created by Microsoft in 1992.  AVI files contain both audio and video data and support synchronous audio-with-video playback.   An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo),

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AVI Codec

Scalable, Cloud-Based AVI Conversion/Encoding Software

Audio Video Interleave, known as the AVI codec, is a multimedia container format created by Microsoft in 1992.  AVI files contain both audio and video data and support synchronous audio-with-video playback.   An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others.

Encoding.com: The Flexible AVI Converter

The Encoding.com' platform makes it easy to create one or many encodes from your AVI source files, there's a number of ways to achieve that using the options listed below.

+ Use our web UI, located @ http://www.encoding.com/login, to designate an Amazon S3, Rackspace CloudFiles or FTP site to use as your watchfolder. Turn an entire folder of AVI content into encoded files. It's easy to do by applying any of our presets. All you have to do is select 'Add Task' and apply a preset from the dropdown menu in the watchfolder UI. 

+ Upload a single piece of media with our 'Add Media' feature in the web UI. Select 'Add Task' to after you upload an AVI source file.  Next, apply one of our ready to use presets. As with watchfolders, 'Add Media' can source from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.

+ Implement our powerful API to submit AVI source content and create your encodes in a snap. Complete API documentation here

Don't forget to take a peek at our sample XML templates here

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How Do I Convert WMV to AVI?

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV.  The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1.  While

 More -->

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV.  The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1.  While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation.

Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992.  AVI files contain both audio and video data and support synchronous audio-with-video playback.   An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others. 

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How Do I Convert VP6 to AVI?

Easily Convert VP6 to AVI Format with Encoding.com

VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe Flash, Flash Video and JavaFX media files.  It was widely adopted prior to the emergence of the H.264 codec, and is used primarily for Internet video and Flash video files.  VP6 supports multi-pass encoding, constant

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Easily Convert VP6 to AVI Format with Encoding.com

VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe Flash, Flash Video and JavaFX media files.  It was widely adopted prior to the emergence of the H.264 codec, and is used primarily for Internet video and Flash video files.  VP6 supports multi-pass encoding, constant or variable data rates, and advanced error recovery; and can be used to encode high resolution video, including 1920x1080 HD video streams.

Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992.  AVI files contain both audio and video data and support synchronous audio-with-video playback.   An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others.

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How Do I Convert H264 to AVI?

Easily Convert H264 to AVI at Encoding.com

H.264 , short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes.  It contains a number of features that enable it to compress video

 More -->

Easily Convert H264 to AVI at Encoding.com

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes.  It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding.

Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992.  AVI files contain both audio and video data and support synchronous audio-with-video playback.   An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others. 

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Can Encoding.com create WMV movies?

WMV Transcoding from Encoding.com

With our web uploader, using our WMV compression software is fast and easy. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval

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WMV Transcoding from Encoding.com

With our web uploader, using our WMV compression software is fast and easy. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select WMV. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.


WMV transcoding is one of many online conversions available through Encoding.com. Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation.

Try one of our free plans today!

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Can Encoding.com create On2 VP6 FLV files?

Find On2 VP6 Video Codecs

Use Encoding.com’s powerful encoding engine to easily convert your video files to On2 VP6 based Flash. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

Need to encode many files daily? Deliver to multiple

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Find On2 VP6 Video Codecs

Use Encoding.com’s powerful encoding engine to easily convert your video files to On2 VP6 based Flash. Upload videos to our platform from S3, FTP, Rackspace or your local storage and effortlessly have them converted and delivered back to S3, FTP or Rackspace.

Need to encode many files daily? Deliver to multiple locations? Need On2 VP6 video codecs? Designate a watch folder on any of our supported locations, use our “VP6” encoding output option.


Perform On2 VP6 Video Encoding

On2 VP6 video encoding has never been easier. Encoding.com has online encoding and conversion software that is entirely scalable and easy to use.

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Can Encoding.com accept MP4 as source material?

Online MPG Converter

Encoding.com accepts many types of files from the .mpg family. Use our web interface, powerful API or desktop application, access our MPG encoder to create or encode the flavor of .mpg of your liking. MPEG is a large set of standards for encoding video and audio, for use in transport or locally. Encoding.com’s online

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Online MPG Converter

Encoding.com accepts many types of files from the .mpg family. Use our web interface, powerful API or desktop application, access our MPG encoder to create or encode the flavor of .mpg of your liking. MPEG is a large set of standards for encoding video and audio, for use in transport or locally. Encoding.com’s online MPG converter is fast and easy to use. Check out our up to the minute list of supported file formats for more information.

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Can Encoding.com create MP4 content?

MPEG Video Compression

Encoding.com supports a host of file formats within many video containers. Learn more about our easy-to-use MPEG encoder or check out our up to the minute list of other supported file formats . Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4. VP6 is a proprietary

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MPEG Video Compression

Encoding.com supports a host of file formats within many video containers. Learn more about our easy-to-use MPEG encoder or check out our up to the minute list of other supported file formats . Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4. VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe Flash, Flash Video and JavaFX media files. It was widely adopted prior to the emergence of the H.264 codec, and is used primarily for Internet video and Flash video files. VP6 supports multi-pass encoding, constant or variable data rates, and advanced error recovery; and can be used to encode high resolution video, including 1920x1080 HD video streams.


Through our web uploader, MPEG video compression and MPEG transcoding have never been easier. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the flavor of mpeg that you need. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.


Encoding.com: Scalable Online MPEG Transcoding Software

We offer our users a simple and scalable online MPEG transcoding solution. MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Try one of our free plans today!

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Create I create H264 videos with Encoding.com?

A Simple Online H264 Encoding Solution

Yes you can! Through our web uploader, our online H264 converter is easy to use. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled

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A Simple Online H264 Encoding Solution

Yes you can! Through our web uploader, our online H264 converter is easy to use. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the appropriate container and H264 codec of choice. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes. It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding. H264 encoding is simple with Encoding.com. Try one of our free plans today!

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Do you have any information on H.264 levels?

 

Level VBV maximum bit rate [1000bits/s] VBV buffer size [1000bits] Macroblocks/s Resolution and frame rate
1 64 175 1485 128×96@30 or 176×144@15
1b 128 350 1485 128×96@30 or
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Level VBV maximum bit rate [1000bits/s] VBV buffer size [1000bits] Macroblocks/s Resolution and frame rate
1 64 175 1485 128×96@30 or 176×144@15
1b 128 350 1485 128×96@30 or 176×144@15
1.1 192 500 3000 176×144@30 or 320×240@10
1.2 384 1000 6000 176×144@60 or 320×240@20
1.3 768 2000 11880 352×288@30
2 2000 2000 11880 352×288@30
2.1 4000 4000 19800 352×288@50
2.2 4000 4000 20250 352×288@50 or 640×480@15
3 10000 10000 40500 720×480@30 or 720×576@25
3.1 14000 14000 108000 1280×720@30
3.2 20000 20000 216000 1280×720@60
4 20000 25000 245760 1920×1088@30 or 2Kx1K@30
4.1 50000 62500 245760 1920×1088@30 or 2Kx1K@30
4.2 50000 62500 522240 1920×1088@60 or or 2Kx1K@60
5 135000 135000 589824 2560×1920@30
5.1 240000 240000 983040 4Kx2K@30 or 4096×2304@25

 

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Do you have any advanced configuration options for the ibx264 video codec?

This guide maps most of x264's options to FFmpeg's options along with detailed descriptions by x264 developer Dark_Shikari. FFmpeg developer superdump has implemented x264 presets to FFmpeg. You can find his guide  here.

Frame-type options:

g <integer> 
Keyframe interval, also known as GOP length. This determines the maximum distance between I-frames. Very high GOP lengths

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This guide maps most of x264's options to FFmpeg's options along with detailed descriptions by x264 developer Dark_Shikari. FFmpeg developer superdump has implemented x264 presets to FFmpeg. You can find his guide here.

Frame-type options:

g <integer> 
Keyframe interval, also known as GOP length. This determines the maximum distance between I-frames. Very high GOP lengths will result in slightly more efficient compression, but will make seeking in the video somewhat more difficult. Recommended default: 250

keyint_min <integer>
Minimum GOP length, the minimum distance between I-frames. Recommended default: 25

sc_threshold <integer>
Adjusts the sensitivity of x264's scenecut detection. Rarely needs to be adjusted. Recommended default: 40

bf <integer> 
B-frames are a core element of H.264 and are more efficient in H.264 than any previous standard. Some specific targets, such as HD-DVD and Blu-Ray, have limitations on the number of consecutive B-frames. Most, however, do not; as a result, there is rarely any negative effect to setting this to the maximum (16) since x264 will, if B-adapt is used, automatically choose the best number of B-frames anyways. This parameter simply serves to limit the max number of B-frames. Note that Baseline Profile, such as that used by iPods, does not support B-frames. Recommended default: 16

0: Very fast, but not recommended. Does not work with pre-scenecut (scenecut must be off to force off b-adapt).

1: Fast, default mode in x264. A good balance between speed and quality.

2: A much slower but more accurate B-frame decision mode that correctly detects fades and generally gives considerably better quality. Its speed gets considerably slower at high bframes values, so its recommended to keep bframes relatively low (perhaps around 3) when using this option. It also may slow down the first pass of x264 when in threaded mode.

b_strategy <integer>
x264, by default, adaptively decides through a low-resolution lookahead the best number of B-frames to use. It is possible to disable this adaptivity; this is not recommended. Recommended default: 1

bframebias  
Make x264 more likely to choose higher numbers of B-frames during the adaptive lookahead. Not generally recommended. Recommended default: 0

flags2 +bpyramid
Allows B-frames to be kept as references. The name is technically misleading, as x264 does not actually use pyramid coding; it simply adds B-references to the normal reference list. B-references get a quantizer halfway between that of a B-frame and P-frame. This setting is generally beneficial, but it increases the DPB (decoding picture buffer) size required for playback, so when encoding for hardware, disabling it may help compatibility.

coder
CABAC is the default entropy encoder used by x264. Though somewhat slower on both the decoding and encoding end, it offers 10-15% improved compression on live-action sources and considerably higher improvements on animated sources, especially at low bitrates. It is also required for the use of trellis quantization. Disabling CABAC may somewhat improve decoding performance, especially at high bitrates. CABAC is not allowed in Baseline Profile. Recommended default: -coder 1 (CABAC enabled)

refs <integer>
One of H.264's most useful features is the ability to reference frames other than the one immediately prior to the current frame. This parameter lets one specify how many references can be used, through a maximum of 16. Increasing the number of refs increases the DPB (Decoded Picture Buffer) requirement, which means hardware playback devices will often have strict limits to the number of refs they can handle. In live-action sources, more reference have limited use beyond 4-8, but in cartoon sources up to the maximum value of 16 is often useful. More reference frames require more processing power because every frame is searched by the motion search (except when an early skip decision is made). The slowdown is especially apparent with slower motion estimation methods. Recommended default: -refs 6

flags 
Disable loop filter. Recommended default: -flags +loop (Enabled)

deblockalpha <integer>
deblockbeta <integer>

One of H.264's main features is the in-loop deblocker, which avoids the problem of blocking artifacts disrupting motion estimation. This requires a small amount of decoding CPU, but considerably increases quality in nearly all cases. Its strength may be raised or lowered in order to avoid more artifacts or keep more detail, respectively. Deblock has two parameters: alpha (strength) and beta (threshold). Recommended defaults:-deblockalpha 0 -deblockbeta 0 (Must have '-flags +loop')

Ratecontrol:

cqp <integer>
Constant quantizer mode. Not exactly constant completely--B-frames and I-frames have different quantizers from P-frames. Generally should not be used, since CRF gives better quality at the same bitrate. b <integer> 
Enables target bitrate mode. Attempts to reach a specific bitrate. Should be used in 2-pass mode whenever possible; 1-pass bitrate mode is generally the worst ratecontrol mode x264 has.

crf <float> 
Constant quality mode (also known as constant ratefactor). Bitrate corresponds approximately to that of constant quantizer, but gives better quality overall at little speed cost. The best one-pass option in x264.

maxrate <integer> 
Specifies the maximum bitrate at any point in the video. Requires the VBV buffersize to be set. This option is generally used when encoding for a piece of hardware with bitrate limitations.

bufsize <integer>
Depends on the profile level of the video being encoded. Set only if you're encoding for a hardware device.

rc_init_occupancy <float>
Initial VBV buffer occupancy. Note: Don't mess with this.

qmin <integer> 
Minimum quantizer. Doesn't need to be changed. Recommended default: -qmin 10

qmax <integer> 
Maximum quantizer. Doesn't need to be changed. Recommended default: -qmax 51

qdiff <integer>
Set max QP step. Recommended default: -qdiff 4

bt <float> 
Allowed variance of average bitrate

i_qfactor <float> 
Qscale difference between I-frames and P-frames. Note: -i_qfactor is handled a little differently than --ipratio. Recommended: -i_qfactor 0.71

b_qfactor <float> 
Qscale difference between P-frames and B-frames.

chromaoffset <integer> 
QP difference between chroma and luma.

pass <1,2,3> 
Used with --bitrate. Pass 1 writes the stats file, pass 2 reads it, and 3 both reads and writes it. If you want to use three pass, this means you will have to use --pass 1 for the first pass, --pass 3 for the second, and --pass 2 or 3 for the third.

rc_eq <string> 
Ratecontrol equation. Recommended default: -rc_eq 'blurCplx^(1-qComp)' 

qcomp <float> 
QP curve compression: 0.0 => CBR, 1.0 => CQP. Recommended default: -qcomp 0.60

complexityblur <float>
Reduce fluctuations in QP (before curve compression) [20.0]

qblur <float>
Reduce fluctuations in QP (after curve compression) [0.5]

partitions <string>
One of H.264's most useful features is the ability to choose among many combinations of inter and intra partitions. P-macroblocks can be subdivided into 16x8, 8x16, 8x8, 4x8, 8x4, and 4x4 partitions. B-macroblocks can be divided into 16x8, 8x16, and 8x8 partitions. I-macroblocks can be divided into 4x4 or 8x8 partitions. Analyzing more partition options improves quality at the cost of speed. The default is to analyze all partitions except p4x4 (p8x8, i8x8, i4x4, b8x8), since p4x4 is not particularly useful except at high bitrates and lower resolutions. Note that i8x8 requires 8x8dct, and is therefore a High Profile-only partition. p8x8 is the most costly, speed-wise, of the partitions, but also gives the most benefit. Generally, whenever possible, all partition types except p4x4 should be used.

p8x8 (x264) /+partp8x8 (FFmpeg)

p4x4 (x264) /+partp4x4 (FFmpeg)

b8x8 (x264) /+partb8x8 (FFmpeg)

i8x8 (x264) /+parti8x8 (FFmpeg)

i4x4 (x264) /+parti4x4 (FFmpeg)

directpred <integer> 
B-frames in H.264 can choose between spatial and temporal prediction mode. Auto allows x264 to pick the best of these; the heuristic used is whichever mode allows more skip macroblocks. Auto should generally be used.

Motion Prediction:

flags2 +wpred
This allows B-frames to use weighted prediction options other than the default. There is no real speed cost for this, so it should always be enabled.

dia (x264) / epzs (FFmpeg) is the simplest search, consisting of starting at the best predictor, checking the motion vectors at one pixel upwards, left, down, and to the right, picking the best, and repeating the process until it no longer finds any better motion vector.

hex (x264) / hex (FFmpeg) consists of a similar strategy, except it uses a range-2 search of 6 surrounding points, thus the name. It is considerably more efficient than DIA and hardly any slower, and therefore makes a good choice for general-use encoding.

umh (x264) / umh (FFmpeg) is considerably slower than HEX, but searches a complex multi-hexagon pattern in order to avoid missing harder-to-find motion vectors. Unlike HEX and DIA, the merange parameter directly controls UMH's search radius, allowing one to increase or decrease the size of the wide search.

esa (x264) / full (FFmpeg) is a highly optimized intelligent search of the entire motion search space within merange of the best predictor. It is mathematically equivalent to the bruteforce method of searching every single motion vector in that area, though faster. However, it is still considerably slower than UMH, with not too much benefit, so is not particularly useful for everyday encoding.

me_method <epzs,hex,umh,full> 
One of the most important settings for x264, both speed and quality-wise.

me_range <integer> 
MErange controls the max range of the motion search. For HEX and DIA, this is clamped to between 4 and 16, with a default of 16. For UMH and ESA, it can be increased beyond the default 16 to allow for a wider-range motion search, which is useful on HD footage and for high-motion footage. Note that for UMH and ESA, increasing MErange will significantly slow down encoding.

1: Fastest, but extremely low quality. Should be avoided except on first pass encoding.

2-5: Progressively better and slower, 5 serves as a good medium for higher speed encoding.

6-7: 6 is the default. Activates rate-distortion optimization for partition decision. This can considerably improve efficiency, though it has a notable speed cost. 6 activates it in I/P frames, and subme7 activates it in B frames.

8-9: Activates rate-distortion refinement, which uses RDO to refine both motion vectors and intra prediction modes. Slower than subme 6, but again, more efficient.

subq 
An extremely important encoding parameter which determines what algorithms are used for both subpixel motion searching and partition decision.

flags2 +mixed_refs 
H.264 allows p8x8 blocks to select different references for each p8x8 block. This option allows this analysis to be done, and boosts quality with little speed impact. It should generally be used, though it obviously has no effect with only one reference frame.

flags2 +dct8x8
Gives a notable quality boost by allowing x264 to choose between 8x8 and 4x4 frequency transform size. Required for i8x8 partitions. Speed cost for this option is near-zero both for encoding and decoding; the only reason to disable it is when one needs support on a device not compatible with High Profile.

0: disabled

1: enabled only on the final encode of a MB

2: enabled on all mode decisions

trellis <0,1,2>
The main decision made in quantization is which coefficients to round up and which to round down. Trellis chooses the optimal rounding choices for the maximum rate-distortion score, to maximize PSNR relative to bitrate. This generally increases quality relative to bitrate by about 5% for a somewhat small speed cost. It should generally be enabled. Note that trellis requires CABAC.

flags2 -fastpskip 
By default, x264 will skip macroblocks in P-frames that don't appear to have changed enough between two frames to justify encoding the difference. This considerably speeds up encoding. However, for a slight quality boost, P-skip can be disabled. In this case, the full analysis will be done on all P-blocks, and the only skips in the output stream will be the blocks whose motion vectors happen to match that of the skip vector and motion vectors happen to match that of the skip vector and which have no residual. The speed cost of enabling no-fast-pskip is relatively high, especially with many reference frames. There is a similar B-skip internal to x264, which is why B-frames generally encode much faster than P-frames, but it cannot be disabled on the commandline.

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How Do I Convert H264 to MPEG?

Easily Convert H264 to MPEG at Encoding.com

Encoding.com supports a host of file formats within the H264 and .mpeg containers. Check out our up to the minute support list for what’s available: http://www.encoding.com/formatsupport/#h264 Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can

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Easily Convert H264 to MPEG at Encoding.com

Encoding.com supports a host of file formats within the H264 and .mpeg containers. Check out our up to the minute support list for what’s available: http://www.encoding.com/formatsupport/#h264 Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select ‘Encoding Options’ and select ‘Add Task.’ Use the pulldown menu to select the mpeg flavor of your choice. That’s it! You’re ready to use Encoding.com’s platform to compress your videos. H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes. It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding. Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992. AVI files contain both audio and video data and support synchronous audio-with-video playback. An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others.

 

If you're interested in using Encoding.com's platform to convert H264 content into mpeg2 or mpeg4 files, there's a number of ways to achieve that using the options listed below:
 
+ Use our web UI, located @ http://www.encoding.com/login, to create a Watch Folder and turn an entire folder of H264 source content into mpeg2 or mpeg4 files. Watch Folders can exist on Amazon S3, Rackspace CloudFiles or your own FTP site.
 
+ Upload a single H264 file using our 'Add Media' feature in the web UI.  Select 'Add Task' and add an mpeg2 or mpeg4 preset.  As with Watch Folders, 'Add Media' can download video from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.
 
+ Implement our powerful API to submit your H264 source content and create an mpeg2 or mpeg4 output in a snap.  Sample XMLs below:
 
MPEG4:
<format>
    <output>mp4</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>64k</audio_bitrate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg4</video_codec>
    <profile>main</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>libfaac</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>300</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mp4</file_extension>
    <hint>no</hint>
  </format>
 
MPEG2:
<format>    
<output>mpeg2</output>
    <size>320x240</size>
    <bitrate>256k</bitrate>
    <audio_bitrate>256k</audio_bitrate>
    <audio_sample_rate>44100</audio_sample_rate>
    <audio_channels_number>2</audio_channels_number>
    <keep_aspect_ratio>yes</keep_aspect_ratio>
    <video_codec>mpeg2video</video_codec>
    <profile>baseline</profile>
    <VCodecParameters>no</VCodecParameters>
    <audio_codec>mp2</audio_codec>
    <two_pass>no</two_pass>
    <cbr>no</cbr>
    <deinterlacing>no</deinterlacing>
    <keyframe>15</keyframe>
    <audio_volume>100</audio_volume>
    <file_extension>mpg</file_extension>
    <bframes>2</bframes>
    <gop>cgop</gop>
 </format>

 

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How Do I Convert H264 to WMV?

Encoding.com: Online H264 to WMV Converter

Encoding.com supports a host of file formats within the .avi and .wmv containers. Read on to learn more about our H264 to WMV conversion platform and check out our up to the minute list of supported file formats .


H.264, short for H.264/MPEG-4 AVC, is a standard for video

 More -->

Encoding.com: Online H264 to WMV Converter

Encoding.com supports a host of file formats within the .avi and .wmv containers. Read on to learn more about our H264 to WMV conversion platform and check out our up to the minute list of supported file formats.


H.264, short for H.264/MPEG-4 AVC, is a standard for video compression and is poised to become the next standard for format of convergence in the digital video industry now supported by Google / YouTube, Adobe, and Apple iTunes. It contains a number of features that enable it to compress video much more effectively than previous standards, and provides more flexibility for applications across a wide variety of network environments from low bit-rate Internet streaming to HDTV broadcast and Digital Cinema applications with nearly lossless coding.


Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation.


Encoding.com: Online H264 to WMV Converter

Through our web uploader, it is easy to access and use our online H264 to WMV file converter. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select WMV. That’s it! Free plans are available – sign up now!

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How Do I Convert MP4 to 3GP?

Encoding.com: The Online MP4 to 3GP Video Converter

Encoding.com supports a host of file formats within the .mpeg4 and .3gp containers. Learn more about our easy-to-use MP4 to 3GP converter or check out our up to the minute list of other supported file formats .


MPEG-4 Part 14, with its official filename extension .mp4, is

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Encoding.com: The Online MP4 to 3GP Video Converter

Encoding.com supports a host of file formats within the .mpeg4 and .3gp containers. Learn more about our easy-to-use MP4 to 3GP converter or check out our up to the minute list of other supported file formats.


MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital audio and video streams, but can also be used to store other data such as subtitles and still images. It is based on AppleÕs QuickTime file format (.mov). Like most modern container formats, MP4 allows streaming over the Internet. A separate hint track is used to include streaming information in the file.


3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 video codecs. 3GP was designed to decrease storage and bandwidth requirements in order to accommodate mobile phones. Most 3G capable mobile phones support the playback and recording of video in 3GP format (memory, maximum file size for playback and recording, and resolution limits exist and vary).


With our web uploader, using our online mp4 to 3gp video converter could not be easier. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select 3gp. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

Try one of our free plans today!

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How Do I Convert FLV to MOV?

Easily Convert FLV to MOV with Encoding.com

Encoding.com supports a host of file formats within the .flv and .mov containers. Check out our up to the minute support list for what’s available: http://www.encoding.com/formatsupport/#mov Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately,

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Easily Convert FLV to MOV with Encoding.com

Encoding.com supports a host of file formats within the .flv and .mov containers. Check out our up to the minute support list for what’s available: http://www.encoding.com/formatsupport/#mov Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select ‘Encoding Options’ and select ‘Add Task.’ Use the pulldown menu to select .mov. That’s it! You’re ready to use Encoding.com’s platform to compress your videos. Flash Video, or FLV, is a container file format used to deliver video via the Adobe Flash player. Deployed by leading video sites such as YouTube, Yahoo! Video, and many others, Flash Video is an open format which supports H.264, VP6 and Sorenson Spark formats. The QuickTime (.mov) file format functions as a multimedia container file that supports the most popular video and audio codecs, and stores audio, video, effects, and text data (for subtitles). The QuickTime file is a unique container format with its ability to support an encoded media stream or a data reference to a media stream located in another file.

If you're interested in using Encoding.com's platform to convert video FLV files into MOV files, there's a number of ways to achieve that using the options listed below:
 
+ Use our web UI, located @ http://www.encoding.com/login, to create a Watch Folder and turn an entire folder of FLV source content into MOV files. Watch Folders can exist on Amazon S3, Rackspace CloudFiles or your own FTP site.
 
+ Upload a single FLV file using our 'Add Media' feature in the web UI.  Select 'Add Task' and add the MOV preset to create a QuickTime file from your source media.  As with Watch Folders, 'Add Media' can download video from Amazon S3, Rackspace CloudFiles, FTP sites or your local drive / network.
 
+ Implement our powerful API to submit your FLV source content and create an MOV output in a snap.  Sample MOV XML below:
 
<format>
<output>mov</output>  
<size>320x240</size>  
<bitrate>256k</bitrate>  
<audio_bitrate>64k</audio_bitrate>  
<audio_channels_number>2</audio_channels_number>  
<keep_aspect_ratio>yes</keep_aspect_ratio>  
<video_codec>mpeg4</video_codec>  
<profile>main</profile>  
<VCodecParameters>no</VCodecParameters>  
<audio_codec>libfaac</audio_codec>  
<two_pass>no</two_pass>  
<cbr>no</cbr>  
<deinterlacing>no</deinterlacing>  
<keyframe>300</keyframe>  
<audio_volume>100</audio_volume>  
<file_extension>mov</file_extension>  
<hint>no</hint>  
</format>  

 

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How Do I Convert 3GP to WMV?

Encoding.com: The Scalable WMV to MPEG File Format Converter

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved

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Encoding.com: The Scalable WMV to MPEG File Format Converter

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation. Converting from WMV to MPEG is simple and fast with Encoding.com.


MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.


Encoding.com supports a host of file formats within the .wmv and .mpeg2, 4, H264 containers. Check out our supported file formats for more information on converting files from WMV to MPEG. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the flavor of mpeg that you would like . That’s it! You’re ready to use Encoding.com’s platform to compress your videos. Start performing easy WMV to MPEG file conversions today. Sign up for a free plan at Encoding.com now!

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How Do I Convert FLV to MPEG?

Encoding.com supports a host of file formats within the .flv and .mpeg containers. Check out our up to the minute list of supported file formats and read below to learn more about our FLV to MPEG converter .

Flash Video, or FLV, is a container file format used to deliver video via the Adobe Flash player. Deployed

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Encoding.com supports a host of file formats within the .flv and .mpeg containers. Check out our up to the minute list of supported file formats and read below to learn more about our FLV to MPEG converter.

Flash Video, or FLV, is a container file format used to deliver video via the Adobe Flash player. Deployed by leading video sites such as YouTube, Yahoo! Video, and many others, Flash Video is an open format which supports H.264, VP6 and Sorenson Spark formats. Converting files from FLV to MPEG is easy and scalable at Encoding.com.

MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.

Encoding.com: Powerful Online FLV to MPEG Video Converter

Through our web uploader, it is easy to use our online FLV to MPEG video converter. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the mpeg flavor of your choice. That’s it! You’re ready to use Encoding.com’s platform to compress your videos. Sign up for one of our free plans today!

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How Do I Convert VP6 to MPEG?

VP6 to MPEG

Encoding.com supports a host of file formats within the .flv and .mpg containers. Learn more about our easy-to-use VP6 to MPEG video converter or check out our up to the minute list of other supported file formats .

VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe

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VP6 to MPEG

Encoding.com supports a host of file formats within the .flv and .mpg containers. Learn more about our easy-to-use VP6 to MPEG video converter or check out our up to the minute list of other supported file formats.

VP6 is a proprietary video codec developed by On2 Technologies and is supported by Adobe Flash, Flash Video and JavaFX media files. It was widely adopted prior to the emergence of the H.264 codec, and is used primarily for Internet video and Flash video files. VP6 supports multi-pass encoding, constant or variable data rates, and advanced error recovery; and can be used to encode high resolution video, including 1920×1080 HD video streams.

VP6 to MPEG Converter: Encoding.com

Using our web uploader, accessing our VP6 to MPEG converter is easy and fast. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the flavor of mpeg that you need. That’s it! You’re ready to use Encoding.com’s platform to compress your videos.

Free plans are available. Try one today!

MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.

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How Do I Convert AVI to MPEG4?

Covert Your AVI Files to MPEG 4 Files Online

Encoding.com supports a host of file formats within the .avi and .mpeg4 containers. Check out our up to the minute list of supported file formats and read below to learn more about our AVI to MPEG4 converter .


Audio Video Interleave, known as AVI, is a

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Covert Your AVI Files to MPEG 4 Files Online

Encoding.com supports a host of file formats within the .avi and .mpeg4 containers. Check out our up to the minute list of supported file formats and read below to learn more about our AVI to MPEG4 converter.


Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992. AVI files contain both audio and video data and support synchronous audio-with-video playback. An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others. MPEG-4 is a developing standard used to compress audio and visual data, and is divided into several parts. The standard includes the concept of ÒprofilesÓ and Òlevels,Ó allowing a specific set of capabilities to be defined in a manner appropriate for a subset of applications.


The MPEG-4 standard is generally used for streaming media and CD distribution, video conversation, and broadcast television and includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 also supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4


Through our web uploader, you can easily convert AVI files to MPEG4 files. You can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select Encoding Options and select Add Task. Use the pulldown menu to select mpeg4. That’s it! You’re ready to use Encoding.com’s platform to compress your videos. Learn more about our free plans today!

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How Do I Convert AVI to WMV?

AVI to WMV

Easily Convert AVI to WMV With Encoding.com

Encoding.com supports a host of file formats within the .avi and .wmv containers. Check out our up to the minute support list for what's available. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location.

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AVI to WMV

Easily Convert AVI to WMV With Encoding.com

Encoding.com supports a host of file formats within the .avi and .wmv containers. Check out our up to the minute support list for what's available. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select 'Encoding Options' and select 'Add Task.' Use the pulldown menu to select WMV. That's it! You're ready to use Encoding.com's platform to compress your files.

Encoding.com Makes AVI to WMV Conversions A Snap

Audio Video Interleave, known as AVI, is a multimedia container format created by Microsoft in 1992. AVI files contain both audio and video data and support synchronous audio-with-video playback. An AVI container can support virtually any compression scheme including Full Frame (uncompressed), Intel Real Time (Indeo), Cinepak, Motion JPEG, Real Video, MPEG-4 and others. Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation. The Encoding.com software makes it easy to perform AVI to WMV and WMV to AVI conversions. Register for a free encoder account, and start performing your AVI to WMV conversions now!

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How Do I Convert WMV to MPEG?

Encoding.com: The Scalable WMV to MPEG File Format Converter

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved

 More -->

Encoding.com: The Scalable WMV to MPEG File Format Converter

Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation. Converting from WMV to MPEG is simple and fast with Encoding.com.


MPEG video generally refers to a set of standards and methods for compressing audio and video data. The most important and widely used standards include MPEG-2, an older format currently used by over-the-air digital television providers (digital cable, satellite) and MPEG-4, which includes additional features for digital rights management and support of higher-efficiency standards used by streaming media, HD DVD and Blu-Ray. MPEG-4 supports interactivity and has the ability to crunch massive video files into pieces small enough to send over mobile networks. Within MPEG-4 standards are two very popular formats utilized for broadband video delivery: H.264 and MP4.


Encoding.com supports a host of file formats within the .wmv and .mpeg2, 4, H264 containers. Check out our supported file formats for more information on converting files from WMV to MPEG. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Select “Encoding Options” and select “Add Task.” Use the pulldown menu to select the flavor of mpeg that you would like . That’s it! You’re ready to use Encoding.com’s platform to compress your videos. Start performing easy WMV to MPEG file conversions today. Sign up for a free plan at Encoding.com now!

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How Do I Convert MP4 to WMV?

Convert Your MP4 Files to WMV Files Online with Encoding.com

Encoding.com makes it easy to convert your MP4 files to WMV files online . To begin the conversion, select ‘Encoding Options’ and select ‘Add Task.’ Use the pulldown menu to select WMV. That’s all you need to do to convert your MP4 files to WMV!


MPEG-4

 More -->

Convert Your MP4 Files to WMV Files Online with Encoding.com

Encoding.com makes it easy to convert your MP4 files to WMV files online. To begin the conversion, select ‘Encoding Options’ and select ‘Add Task.’ Use the pulldown menu to select WMV. That’s all you need to do to convert your MP4 files to WMV!


MPEG-4 Part 14, with its official filename extension .mp4, is a multimedia container format most commonly used to store digital audio and video streams, but can also be used to store other data such as subtitles and still images. It is based on Apple’s QuickTime file format (.mov). Like most modern container formats, MP4 allows streaming over the Internet utilizing a separate hint track to include streaming information in the file.


Windows Media Video, or WMV, is Microsoft’s family of video codecs including WMV 7, WMV 8, and WMV 9. It can handle anything from low resolution video for dial-up Internet users to HDTV. The latest generation of WMV, based on the WMV 9 codec, has been standardized and approved as a new and more open codec known as VC-1. While all versions of WMV support variable bit rate, average bit rate, and constant bit rate, WMV 9 introduced several important features including native support for interlaced video, non-square pixels, and frame interpolation


In addition to .mp4, Encoding.com supports many other file formats as source material. Check out our up to the minute list of supported file formats now. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files.

Ready to begin your .mp4 to .wmv file conversion? Sign up for free now!

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How Do I Convert Video to 3GP?

Encoding.com: Online Video to 3GP Converter

3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 (MPEG-4) video codecs. 3GP was designed to decrease storage and bandwidth requirements in order to accommodate mobile phones. Most 3G capable mobile phones support the playback and recording of video in 3GP format (memory, maximum file size for playback and

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Encoding.com: Online Video to 3GP Converter

3GP is a multimedia container format that supports MPEG-2, H.263 and H.264 (MPEG-4) video codecs. 3GP was designed to decrease storage and bandwidth requirements in order to accommodate mobile phones. Most 3G capable mobile phones support the playback and recording of video in 3GP format (memory, maximum file size for playback and recording, and resolution limits exist and vary).


Encoding.com: Online Video to 3GP Converter

Encoding.com makes it easy to convert your files to 3GP format. To begin a video to 3GP conversion, Select "Encoding Options" and select "Add Task." Use the pulldown menu to select 3GP. That's it! You're now ready to use Encoding.com's platform to compress your videos  and convert to 3GP.


Encoding.com also supports many file formats as source material. Check out our up to the minute list of supported file formats now. Through our web uploader, you can push individual files directly to our encoding platform from your local disk, FTP, S3 or Rackspace location. Alternately, you can select a watch folder on your FTP, S3 or Rackspace location to be polled at the time interval of your choice to encode files. Ready to begin performing 3GP video conversions? Sign up for a free account now and begin performing your video to 3GP conversions.

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Which version of 3gp does Encoding.com use?

Currently, Encoding.com encodes to 3pg5, as opposed to 3pg2.
Currently, Encoding.com encodes to 3pg5, as opposed to 3pg2. <-- Hide
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What are the available dimensions for encoding to 3gp?

The available frame sizes for 3gp encodes are: 128x96, 176x144, 352x288, 704x576, 1408x1152. The default value is: 176x144.
The available frame sizes for 3gp encodes are: 128x96, 176x144, 352x288, 704x576, 1408x1152. The default value is: 176x144. <-- Hide
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Suggestions for improving quality with H.264 settings

Since users often will be uploading a wide variety of videos, I generally like to break them down into two types:

Static/Low Action - stable tripod shots, very little background movement, actors standing still 
Active/High Action - panning/jerky camera, lots of action, sports-like movement

A good starting point is to choose a variable bitrate setting equal

 More -->

Since users often will be uploading a wide variety of videos, I generally like to break them down into two types:

Static/Low Action - stable tripod shots, very little background movement, actors standing still 
Active/High Action - panning/jerky camera, lots of action, sports-like movement

A good starting point is to choose a variable bitrate setting equal to the width of the video. So, for example: 640x480 SD at 640 kilobits per sec (kbps), or 1280x720 HD at 1280 kbps. Higher action video may require a slightly higher bitrate to prevent blocking artifacts.

Noise Reduction

Applying some noise reduction is useful to save bits for high detail regions, but be careful not to overdo it. I've seen video samples where whole areas of ocean and grassy fields disappear to achieve a lower bitrate. This of course, falls under artistic preference, but generally I'd rather see a smaller framesize and more detail. At low bitrates, it is increasing important to improve the quality of noisy video sources, such as film containing lots of grain or video shot in low light. The 3D noise reduction in ffmpeg allows control over both luma and chroma values for fine-tuning your output image quality.

	<noise_reduction>4:3:6</noise_reduction> 

luma_spatial – Spatial Luma Strength. Allowed values: [0,255]
chroma_spatial – Spatial Chroma Strength. Allowed values: [0,255]
luma_temp – Temporal Luma Strength. Allowed values: [0,255]

General recommended starting value is 4:3:6. [luma_spatial:chroma_spatial:luma_temp] Noise reduction is also available via our web interface as the High Quality 3D Denoiser option.

 

Single Pass vs. Two Pass

For most purposes 2-pass encoding achieves very good results. It's a tradeoff of diminishing returns, 2-pass gaining perhaps 10% quality bit-for-bit but doubling the encoding time. Do not lower qcomp, CBR is horrible on quality. I'd experiment with values floating between 0.60 and 0.80 if you want more VBR. if qcomp = 1.00 then quantizer is constant for second pass. Real variable bitrate with constant quality. if qcomp = 0.00 then bitrate is constant for second pass. Real constant bitrate with variable quality.

<two_pass>yes</two_pass>

I'd recommend having two sample videos, tell your users to choose Low or High Action content setting, experiment a bit with your B-frames then define two "baseline" settings for each bitrate. For web video it's best to narrow your targets to four different bitrates at most, especially if you are going to be processing thousands of users uploading. Most folks have a slow (up to 240kbits), good (~700kbits), or fast (2mbits and higher) connection. I'd say H.264 over 2mbits is generally overkill for website content. For general purposes, I'd recommend 2-pass and we push a 10 second keyframe interval (300 frames) which may not be appropriate for "high-action" source video.

For more detail on H.264 controls for scenecut thresholds, B-frames, and more, please refer to:

Advanced H.264 Guide http://sites.google.com/site/linuxencoding/x264-ffmpeg-mapping

H.264 parameters for our API http://www.encoding.com/help/article/advanced_configuration_options_for_the_libx264_video_codec

An excellent collection of HD videos at 2mbits/sec can be found at http://californiaisaplace.com/cali/ 

 

16x16 Macroblocks

H.264/AVC does a much more efficient job when the horizontal and vertical framesize dimensions are multiples of 16. Good examples include:

SD (4:3) aspect ratios: 320x240, 432x320, 480x360, 544x400, 640x480, 768x576
HD (16:9) aspect ratios: 432x240, 576x320, 640x360, 720x400, 848x480, 1024x576, 1280x720, 1920x1080

In 4:2:0 H.264/AVC coding, each block contains 4 luminance samples (Y), 1 blue sample (Cb), and 1 red sample (Cr). Modern video decoding chips (GPUs) are optimized for playback of 16x16 macroblocking.

 

Keyframes and GOPs

Low action scenes generally handle more bidirectional (B-frames) better since they don't have to track interframe motion as aggressively. Higher action content will require more keyframes (I-frames) to keep the picture from breaking apart. Longer GOPs with more B-frames also require more buffering by the playback GPU to recursively track the motion for each macroblock. Fortunately, x264 offers very good scene detection, which is why for most applications, we set keyframes to 300.

H.264/AVC sample for modern mobiles (30 fps with a 10 second GOP)

	<framerate>30</framerate>
	<keyframe>300</keyframe>

For older computers, and early generations of iPod and Blackberry phones, the chips might not have enough processing power and memory to successfully buffer longer GOPs. Keep your bitrates low, try lower framerates, and shorter GOPs.

H.264/AVC sample for older mobiles (15 fps with a 4 second GOP)

	<framerate>15</framerate>
	<keyframe>60</keyframe>

More information about GOPs available on wiki http://en.wikipedia.org/wiki/Group_of_pictures

 

Turbo Mode

NOTE: For bigger or longer HD encoding jobs, turbo mode is absolutely recommended since you will see speed gains in the neighborhood of 3x faster vs. normal mode. Please be aware turbo is running on more powerful encoders, so it costs an extra $1 per gigabyte.

<turbo>yes</turbo>

 

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What is the H.264 video codec?

H.264 is a standard for video compression. It is also known as MPEG-4 Part 10, or MPEG-4 AVC for Advanced Video Coding. H.264/AVC experienced widespread adoption within a few years of the completion of the standard and is used widely among advanced video applications including the Blue Ray Disc, Apple's Itunes Video Store, Apple TV, Quicktime, and iPod, iPhone video.

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H.264 is a standard for video compression. It is also known as MPEG-4 Part 10, or MPEG-4 AVC for Advanced Video Coding. H.264/AVC experienced widespread adoption within a few years of the completion of the standard and is used widely among advanced video applications including the Blue Ray Disc, Apple's Itunes Video Store, Apple TV, Quicktime, and iPod, iPhone video. In December 2007 Adobe released Flash Player 9 Update 3 v 9.0.115 which supports H.264 video and HE-AAC audio playback. Please see Adobe's resource for an overview of their support of H.264: http://labs.adobe.com/wiki/index.php/Flash_Player:9:Update:H.264 As of June 2008 Flash 9.0.115 player is installed in 83.3% of browsers in the US/Canada. Please see Adaobe's resource for tracking Flash Player Version Penetration over time and across geographic markets. http://www.adobe.com/products/player_census/flashplayer/version_penetration.html H.264 codec variant is called 'libx264' in our system and available for the following formats: fl9, mp4, ipod, iphone, appletv, psp, 3gp

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What are the best Flash video frame dimensions?

Video codecs perform best when the frame width and height use multiples of 16. While you can use any width and height in your encoding settings, non-optimal dimensions can result in poor image quality and reduced frame rate. For the best image quality and playback, you should always use width and height dimensions that use a multiple of 16 (best),

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Video codecs perform best when the frame width and height use multiples of 16. While you can use any width and height in your encoding settings, non-optimal dimensions can result in poor image quality and reduced frame rate. For the best image quality and playback, you should always use width and height dimensions that use a multiple of 16 (best), 8 (better), or 4 (good). We would recommend that you refrain from using 4 or 8 multiples unless it is absolutely necessary. 

Note: Both the native encoding dimensions and the playback dimensions should be a multiple of 16. For example, if you encode your FLV file to use a frame dimension of 320 x 240, you should scale to a size such as 512 x 384. 

Refer to the following tables to pick dimensions for your layout.

4:3 aspect ratio sizes:

Best (16)Better (8)Good (4)
640 x 480608 x 456624 x 468
576 x 432544 x 408592 x 444
512 x 384480 x 360560 x 420
448 x 336416 x 312528 x 396
384 x 288352 x 264496 x 372
320 x 240288 x 216464 x 348
256 x 192224 x 168432 x 324
192 x 144160 x 120400 x 300
128 x 96 368 x 276
  336 x 252
  304 x 228
  272 x 204
  240 x 180
  208 x 156
  176 x 132
  144 x 108
  112 x 84

     

16:9 aspect ratio sizes:

Best (16)Better (8)Good (4)
1280 x 7201152 x 6481216 x 684
1024 x 576896 x 5041088 x 612
768 x 432640 x 360960 x 540
512 x 288384 x 216832 x 468
256 x 144128 x 72704 x 396
  576 x 324
  448 x 252
  320 x 180
  192 x 108

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Encoding for Blackberry Phones

Here is a sample mp4 which should play fine on Blackberry phones. http://www.pixelgoat.net/encoding/blackberry/big_vinny_9432618.mp4 XML for "big vinny" sample as follows:

 					<format>
					<output>mp4</output>
					<size>320x240</size>
					<bitrate>512k</bitrate>
					<audio_bitrate>64k</audio_bitrate>
					<audio_channels_number>2</audio_channels_number>
					<framerate>24</framerate>
					<keep_aspect_ratio>yes</keep_aspect_ratio>
					<video_codec>mpeg4</video_codec>
					<profile>main</profile>
					<VCodecParameters>no</VCodecParameters>
					<audio_codec>libfaac</audio_codec>
					<two_pass>yes</two_pass>
					<cbr>no</cbr>
					<deinterlacing>no</deinterlacing>
					<keyframe>96</keyframe>
					<audio_volume>100</audio_volume>
					<rotate>0</rotate>
					<file_extension>mp4</file_extension>
					<hint>no</hint>
					</format>
 

You may want to check which model Blackberry you are using. This is a very useful PDF guide. http://www.pixelgoat.net/encoding/blackberry/Blackberry_Video_Profiles.pdf If you are still having a problem, please send us a ticket and

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Here is a sample mp4 which should play fine on Blackberry phones. http://www.pixelgoat.net/encoding/blackberry/big_vinny_9432618.mp4 XML for "big vinny" sample as follows:

					<format>
					<output>mp4</output>
					<size>320x240</size>
					<bitrate>512k</bitrate>
					<audio_bitrate>64k</audio_bitrate>
					<audio_channels_number>2</audio_channels_number>
					<framerate>24</framerate>
					<keep_aspect_ratio>yes</keep_aspect_ratio>
					<video_codec>mpeg4</video_codec>
					<profile>main</profile>
					<VCodecParameters>no</VCodecParameters>
					<audio_codec>libfaac</audio_codec>
					<two_pass>yes</two_pass>
					<cbr>no</cbr>
					<deinterlacing>no</deinterlacing>
					<keyframe>96</keyframe>
					<audio_volume>100</audio_volume>
					<rotate>0</rotate>
					<file_extension>mp4</file_extension>
					<hint>no</hint>
					</format>

You may want to check which model Blackberry you are using. This is a very useful PDF guide. http://www.pixelgoat.net/encoding/blackberry/Blackberry_Video_Profiles.pdf If you are still having a problem, please send us a ticket and include the Media ID# of the file which isn't playing for you. https://manage.encoding.com/user/#/user/support.php Verified settings include:


Format = 3gp/amr, mpeg4/aac
Framesize = 320x240
Framerates = 24
Bitrates = 256k, 512k, 768k

NOTE: mp3 audio does NOT play with video. Please use aac audio with mpeg4 to guarantee proper playout on Blackberry phones. We have successfully tested our base presets on Blackberry phones for mp4 and 3gp. Confirmed playout to Blackberry Curve 8530 in November 2010.

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Locking H.264 keyframe values to conform to DRM requirements

Some DRM specifications require locked GOP sizes that ignore scene changes. Our API can set an H.264 keyframe interval, and boost the scene change threshold high enough to achieve this. Example for 24 fps: <format> <output>mp4 </output> <video_codec>libx264 </video_codec> <framerate>24</framerate> <keyframe>24</keyframe> <video_codec_parameters> <sc_threshold>1999999999</sc_threshold> <keyint_min>23</keyint_min> </video_codec_parameters> </format>
Some DRM specifications require locked GOP sizes that ignore scene changes. Our API can set an H.264 keyframe interval, and boost the scene change threshold high enough to achieve this. Example for 24 fps: <format> <output>mp4 </output> <video_codec>libx264 </video_codec> <framerate>24</framerate> <keyframe>24</keyframe> <video_codec_parameters> <sc_threshold>1999999999</sc_threshold> <keyint_min>23</keyint_min> </video_codec_parameters> </format> <-- Hide
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